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  Volume 26, Number 1, Fall 2011

Table of Contents

Katherine Tingley's Theosophical Theatre: Greek Revivalism and New Religion in Lomaland, USA

pp. 5-25
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Reading Representations of Race with Masochism: The 1990s and Suzan-Lori Parks's Venus

pp. 27-44
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Tony Kushner's The Illusion and Comedy's "Traversal of the Fantasy"

pp. 45-64
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Stanislavskian Acting as Phenomenology in Practice

pp. 65-84
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From the Postdramatic to the Poly-dramatic: The Text/Performance Divide Reconsidered

pp. 85-102
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Boxing with Brecht: David Mamet and Bertolt Brecht

pp. 103-124
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Special Praxis Section: William F. Cody/"Buffalo Bill"/Buffalo Bill's Wild West

Introduction: Journal of Dramatic Theory and Criticism's Special Praxis Section on William F. Cody/"Buffalo Bill"/Buffalo Bill's Wild West

pp. 127-128
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Performance on the Plains: Staging the Great Sioux War in Buffalo Bill's Red Right Hand, 1876

pp. 129-139
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"'A GROUP OF MEXICANS . . . will illustrate the use of the lasso': Charreada Performance in Buffalo Bill's Wild West"

pp. 141-147
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"Show Indians"/Showing Indians: Buffalo Bill's Wild West, the Bureau of Indian Affairs, and American Anthropology

pp. 149-158
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Book Reviews

Albee in Performance (review)

pp. 160-161
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Artaud and His Doubles (review)

pp. 161-163
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The Art of Clowning (review)

pp. 164-165
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Queer Theatre and the Legacy of Cal Yeomans (review)

pp. 165-167
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Indonesian Postcolonial Theatre: Spectral Genealogies and Absent Faces (review)

pp. 168-169
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Ibsen and the Irish Revival (review)

pp. 169-170
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Books Received

Books Received

pp. 170-174
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Research Areas

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