From: Modern Drama

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Volume 17, Number 1, Spring 1974

Table of Contents

The Integrity of Juno and the Paycock

pp. 1-9 | DOI: 10.1353/mdr.1973.0071

William A. Armstrong

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From Ritual to Romance in Within the Gates and Cock-a-Doodle-Dandy

pp. 11-18 | DOI: 10.1353/mdr.1973.0010

Ronald G. Rollins

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Synge's The Shadow of the Glen: Repetition and Allusion

pp. 19-25 | DOI: 10.1353/mdr.1973.0021

Nicholas Grene

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Widowers' Houses: A Question of Genre

pp. 27-32 | DOI: 10.1353/mdr.1973.0033

Bernard F. Dukore

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The World is a Stage: Sartre versus Genet

pp. 33-41 | DOI: 10.1353/mdr.1973.0045

Jerry L. Curtis

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"Damn Everything but the Circus": Popular Art in the Twenties and him

pp. 43-55 | DOI: 10.1353/mdr.1973.0056

Marjorie Smelstor S.C.

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Uncle Tom's Cabin and Modern Chinese Drama

pp. 57-66 | DOI: 10.1353/mdr.1973.0067

Walter J. Meserve, Ruth I. Meserve

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Modern Drama Studies: An Annual Bibliography

pp. 67-120 | DOI: 10.1353/mdr.1973.0006

Charles A. Carpenter

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Book Reviews

The Essential Brecht by John Fuegi (review)

pp. 121-122 | DOI: 10.1353/mdr.1973.0017

Helge Hultberg

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Listen to the Wind by James Reaney, and: Colours in the Dark by James Reaney, and: The Ecstasy of Rita Joe by George Ryga, and: Captives of the Faceless Drummer by George Ryga, and: Rinse Cycle by Jackie Crossland & Rudy LaValle, and: Crabdance by Beverly Simons, and: Ashes for Easter and Other Monodramas by David Watmough (review)

pp. 122-124 | DOI: 10.1353/mdr.1973.0028

Michael Mason

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Contributors

p. 1 | DOI: 10.1353/mdr.1973.0040

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