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Modern Drama
From:
Modern Drama
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Volume 17, Number 1, Spring 1974
Table of Contents
The Integrity of
Juno and the Paycock
pp. 1-9
|
DOI:
10.1353/mdr.1973.0071
William A. Armstrong
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From Ritual to Romance in
Within the Gates
and
Cock-a-Doodle-Dandy
pp. 11-18
|
DOI:
10.1353/mdr.1973.0010
Ronald G. Rollins
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Synge's
The Shadow of the Glen
: Repetition and Allusion
pp. 19-25
|
DOI:
10.1353/mdr.1973.0021
Nicholas Grene
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Widowers' Houses
: A Question of Genre
pp. 27-32
|
DOI:
10.1353/mdr.1973.0033
Bernard F. Dukore
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The World is a Stage: Sartre versus Genet
pp. 33-41
|
DOI:
10.1353/mdr.1973.0045
Jerry L. Curtis
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"Damn Everything but the Circus": Popular Art in the Twenties and
him
pp. 43-55
|
DOI:
10.1353/mdr.1973.0056
Marjorie Smelstor S.C.
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Uncle Tom's Cabin
and Modern Chinese Drama
pp. 57-66
|
DOI:
10.1353/mdr.1973.0067
Walter J. Meserve
,
Ruth I. Meserve
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Modern Drama Studies: An Annual Bibliography
pp. 67-120
|
DOI:
10.1353/mdr.1973.0006
Charles A. Carpenter
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Book Reviews
The Essential Brecht
by John Fuegi (review)
pp. 121-122
|
DOI:
10.1353/mdr.1973.0017
Helge Hultberg
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Listen to the Wind
by James Reaney, and:
Colours in the Dark
by James Reaney, and:
The Ecstasy of Rita Joe
by George Ryga, and:
Captives of the Faceless Drummer
by George Ryga, and:
Rinse Cycle
by Jackie Crossland & Rudy LaValle, and:
Crabdance
by Beverly Simons, and:
Ashes for Easter and Other Monodramas
by David Watmough (review)
pp. 122-124
|
DOI:
10.1353/mdr.1973.0028
Michael Mason
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Contributors
p. 1
|
DOI:
10.1353/mdr.1973.0040
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Modern Drama
Volume 17, Number 1, Spring 1974
Next Issue
Previous Issue
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Film, Theater, and Performing Arts > Theater and Performance Studies
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