1. John Synge and the Drama of His Time
  2. Clifford Leech
  3. pp. 223-237
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  1. Shaw and the Passion of the Mind
  2. Eric Salmon
  3. pp. 239-250
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  1. The Importance of Being Earnest: The Texture of Wilde's Irony
  2. L. A. Poague
  3. pp. 251-257
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  1. Two Early Absurd Plays in England
  2. J. P. Wearing
  3. pp. 259-264
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  1. The Projector, The Mock Mason, and Miss Littlewood
  2. George Dorris
  3. pp. 265-268
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  1. Rosencrantz and Guildenstern Are Dead: Theater of Criticism
  2. Normand Berlin
  3. pp. 269-277
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  1. The Absurdity of Dread: Pinter's The Dumb Waiter
  2. Charles A. Carpenter
  3. pp. 279-285
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  1. Pinter's Old Times: The Memory Game
  2. Stephen Martineau
  3. pp. 287-297
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  1. Echoes of A Resounding Tinkle: N. F. Simpson Reconsidered
  2. C. Z. Fothergill
  3. pp. 299-306
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  1. The Ironic Anger of David Storey
  2. William J. Free
  3. pp. 307-316
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  1. Embers and the Sea: Beckettian Intimations of Mortality
  2. David Alpaugh
  3. pp. 317-328
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  1. Inside the Circle: On Rereading Blood Wedding
  2. Norma Louise Hutman
  3. pp. 329-336
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  1. Laudisi's Laughter and the Social Dimension of Right You Are (If You Think So)
  2. Robert S. Dombroski
  3. pp. 337-346
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  1. Encounters with Eduardo De Filippo
  2. Mimi D'Aponte
  3. pp. 347-353
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  1. Romain Weingarten's Stage Play Akara and the A-Temporal Realm
  2. Bettina L. Knapp
  3. pp. 355-367
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  1. Liberty Begins with the Comic
  2. Félicien Marceau
  3. pp. 369-372
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  1. Commentary
  2. Laure Rièse, Marilyn Craven
  3. pp. 371-372
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  1. The Modern Theatre as Autonomous Vehicle
  2. Gerald D. Parker
  3. pp. 373-391
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  1. Theatre Planning ed. by Roderick Ham (review)
  2. Jo Mielziner
  3. pp. 393-394
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  1. John Arden by Simon Trussler, and: Brendan Behan by Raymond J. Porter, and: John Osborne by Harold Ferrar (review)
  2. A. C. Edwards
  3. pp. 394-396
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  1. The Shavian Playground by Margery M. Morgan (review)
  2. Robertson Davies
  3. pp. 401-402
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  1. Contributors
  2. pp. 1-2
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  1. Foreword
  2. Frederick J. Marker
  3. pp. 221-222
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