1. Authors Losing Control: The European Transformations of Henry Neville’s The Isle of Pines (1668)
  2. Gaby M. Mahlberg
  3. pp. 1-25
  4. DOI: 10.1353/bh.2012.0005
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  1. Writing Print Cultures Past: Literary Criticism and Book History
  2. Michael Gavin
  3. pp. 26-47
  4. DOI: 10.1353/bh.2012.0007
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  1. If It’s 1815, This Must Be Belgium: The Origins of the Modern Travel Guide
  2. Pieter François
  3. pp. 71-92
  4. DOI: 10.1353/bh.2012.0000
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  1. “Sidelines” and Trade Lines: Publishing the Australian Novel, 1860–1899
  2. Katherine Bode
  3. pp. 93-122
  4. DOI: 10.1353/bh.2012.0002
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  1. “The Facts—the Color!—the Facts”: The Idea of a Report in American Print Culture, 1885–1910
  2. Kathy Roberts Forde, Katherine A. Foss
  3. pp. 123-151
  4. DOI: 10.1353/bh.2012.0003
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  1. Race, Respectability, and the Short Life of Duke Magazine
  2. Kinohi Nishikawa
  3. pp. 152-182
  4. DOI: 10.1353/bh.2012.0004
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  1. An Icon Adrift: The Modern Library in the 1990s
  2. Daniel Platt
  3. pp. 183-209
  4. DOI: 10.1353/bh.2012.0006
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  1. The Enkindling Reciter: E-Books in the Bibliographical Imagination
  2. Alan Galey
  3. pp. 210-247
  4. DOI: 10.1353/bh.2012.0008
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  1. Book History in the African World: The State of the Discipline
  2. Elizabeth le Roux
  3. pp. 248-300
  4. DOI: 10.1353/bh.2012.0010
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  1. Contributors
  2. pp. 301-303
  3. DOI: 10.1353/bh.2012.0001
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