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Table of Contents

  1. Murakami Takashi and the Hell of Others: Sexual (In)Difference, the Eye, and the Gaze in ©Murakami
  2. Nina Cornyetz
  3. pp. 181-195
  4. DOI: https://doi.org/10.1353/crt.2012.0012
  5. restricted access
  1. Imagining the Fractured East Asian Modern: Commonality and Difference in Mass-Cultural Production
  2. C. J. W.-L. Wee
  3. pp. 197-225
  4. DOI: https://doi.org/10.1353/crt.2012.0014
  5. restricted access
  1. Robbing His Captive Shepherdess: Princess Elizabeth, John Milton, and the Memory of Charles I in the Eikon Basilike and Eikonoklastes
  2. Nicole A. Jacobs
  3. pp. 227-255
  4. DOI: https://doi.org/10.1353/crt.2012.0016
  5. restricted access
  1. Will Personified: Viola as Actor-Author in Twelfth Night
  2. Mary Jo Kietzman
  3. pp. 257-289
  4. DOI: https://doi.org/10.1353/crt.2012.0017
  5. restricted access
  1. Ethics, Individualism, and Class in John Webster's The White Devil
  2. Andrew Strycharski
  3. pp. 291-315
  4. DOI: https://doi.org/10.1353/crt.2012.0009
  5. restricted access
  1. Piling Up, or Floating Away
  2. Vivian L. Huang
  3. pp. 317-322
  4. DOI: https://doi.org/10.1353/crt.2012.0010
  5. restricted access
  1. "In the Midst of and at the Edges of this Maelstrom": Experience and Archives after the Falling Away
  2. Victor Bascara
  3. pp. 323-327
  4. DOI: https://doi.org/10.1353/crt.2012.0011
  5. restricted access
  1. Figures of Reading
  2. Nathan K. Hensley
  3. pp. 329-342
  4. DOI: https://doi.org/10.1353/crt.2012.0013
  5. restricted access
  1. Crossing the Lines: Masao Miyoshi's Trespasses
  2. David Palumbo-Liu
  3. pp. 343-351
  4. DOI: https://doi.org/10.1353/crt.2012.0015
  5. restricted access