1. Macbeth's Martlets: Shakespearean Phenomenologies of Hospitality
  2. Julia Reinhard Lupton
  3. pp. 365-376
  4. DOI: 10.1353/crt.2012.0020
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  1. Static and Transformative Images in Shakespeare's Dramatic Art
  2. James A. Knapp
  3. pp. 377-389
  4. DOI: 10.1353/crt.2012.0022
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  1. Feeling Criminal in Macbeth
  2. Kevin Curran
  3. pp. 391-401
  4. DOI: 10.1353/crt.2012.0024
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  1. "The Eye of Man Hath Not Heard": Shakespeare, Synaesthesia, and Post-Reformation Phenomenology
  2. Jennifer Waldron
  3. pp. 403-417
  4. DOI: 10.1353/crt.2012.0026
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  1. Shakespeare, Sensation, and Renaissance Existentialism
  2. Michael Witmore
  3. pp. 419-426
  4. DOI: 10.1353/crt.2012.0027
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  1. Hegel's Inverted World, Cleopatra, and the Logic of the Crocodile
  2. Jennifer Bates
  3. pp. 427-443
  4. DOI: 10.1353/crt.2012.0028
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  1. No Greater Powers Than We Can Contradict
  2. Paul A. Kottman
  3. pp. 445-454
  4. DOI: 10.1353/crt.2012.0019
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  1. "This is above all strangeness": King Lear, Ethics, and the Phenomenology of Recognition
  2. James Kearney
  3. pp. 455-467
  4. DOI: 10.1353/crt.2012.0021
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  1. All Is True—Unless You Decide in Advance What Is Not
  2. Ken Jackson
  3. pp. 469-477
  4. DOI: 10.1353/crt.2012.0023
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  1. Phenomophobia, or Who's Afraid of Merleau-Ponty?
  2. Bruce R. Smith
  3. pp. 479-483
  4. DOI: 10.1353/crt.2012.0025
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  1. Introduction
  2. Kevin Curran, James Kearney
  3. pp. 353-364
  4. DOI: 10.1353/crt.2012.0018
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