1. Imagining Freedom
  2. Barbara Moore
  3. pp. 7-8
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  1. The Fence
  2. Janine Kelley
  3. pp. 9-10
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  1. Notre Dame
  2. Linda Taylor
  3. p. 11
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  1. Learning to Make Makah Baskets
  2. Alice Deery
  3. pp. 12-15
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  1. Bones Beneath a Granite Eagle Feather
  2. Daniel Hill
  3. pp. 16-17
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  1. it came to her children
  2. Alycee J. Lane
  3. pp. 18-19
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  1. Words of Wisdom. . .Passed On
  2. Jeanne R. Towns
  3. p. 20
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  1. Houses of the Poor
  2. Kevin Christianson
  3. p. 21
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  1. The N.Y.—D.C. Line
  2. Paul Muolo
  3. p. 22
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  1. Soul Food
  2. Tom Russell
  3. p. 23
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  1. In Carnegie, Pennsylvania, on the Weekend, and: The Union, and: The Patch, and: In the Morning
  2. Michael O'Connor
  3. pp. 24-28
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  1. For Your Sins
  2. Theodore Worozbyt Jr.
  3. pp. 29-31
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  1. (from) First Promises: 21
  2. Greg Nelson
  3. p. 32
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  1. The Man in the Brown Shirt
  2. Michael D. Riley
  3. pp. 33-35
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  1. Our Animals
  2. Wendy Bishop
  3. p. 36
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  1. The Smallest Snail
  2. Stuart Friebert
  3. pp. 37-38
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  1. Snake in the Cellar
  2. Beth Houston
  3. pp. 39-40
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  1. Autonomic Nerves
  2. Lowell Jaeger
  3. pp. 41-42
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  1. Bird's-Eye View
  2. Steven Riel
  3. pp. 43-45
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  1. Still-Life
  2. Tatyana Shcherbina, J. Kates
  3. p. 46
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  1. Argentina 1983
  2. Ricardo Feierstein, J. Kates, Stephen A. Sadow
  3. p. 47
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  1. Salvador
  2. James Sallis
  3. p. 48
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  1. Mandarins Give Ground in Johannesburg
  2. Moira Ferguson
  3. p. 49
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  1. The Anniversary of the Cambodia Bombings, and: Red and God
  2. Eisner
  3. pp. 50-51
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  1. God, Ronald Reagan, and the Cosmic Pinball Machine
  2. Ann Struthers
  3. p. 52
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  1. Seventeen
  2. Sheila Moore
  3. pp. 53-54
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  1. Dermagraphics
  2. Joseph A. Tulanowski
  3. pp. 55-56
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  1. Legal Aid
  2. Susan Holahan
  3. pp. 57-63
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  1. For Keepsies
  2. Gary Fincke
  3. pp. 64-74
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  1. The Pomegranate Trees
  2. Marlene Youmans
  3. pp. 75-78
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  1. Lost Wars
  2. Chris Lombardi
  3. pp. 79-112
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  1. True Love and the Revolution in Song
  2. Jonathan Falla
  3. pp. 113-128
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  1. To Bury and to Praise: John Sayles on the Death of the Sixties
  2. Marianne DeKoven
  3. pp. 129-147
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  1. "Born To Bleed": Myth, Pornography and Romance in Angela Carter's "The Bloody Chamber"
  2. Michele Grossman
  3. pp. 148-160
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  1. Nuclear Culture, Nuclear Criticism
  2. Michael W. Messmer
  3. pp. 161-180
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  1. Review Essay: Edward W. Said
  2. Harold A. Veeser
  3. pp. 181-189
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  1. Professing Literature: An Institutional History, and: Institution and Interpretation (review)
  2. Bruce Robbins
  3. pp. 197-201
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  1. The New York Intellectuals: The Rise and Decline of the Anti-Stalinist Left From the 1930s to the 1980s (review)
  2. Barbara Foley
  3. pp. 205-208
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  1. Saints and Scholars (review)
  2. Kevin Frey
  3. pp. 208-209
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  1. Albuquerque: Coming Back to the U.S.A (review)
  2. Sesshu Foster
  3. pp. 209-214
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  1. Miguel Marmol, and: Testimony: Death of a Guatemalan Village, and: The Jaguar Smile: A Nicaraguan Journey (review)
  2. Michael Sprinker
  3. pp. 214-216
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  1. The Perfect War: Technowar in Vietnam (review)
  2. Steve Best
  3. pp. 216-219
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  1. Theatre as Weapon: Workers' Theatre in the Soviet Union, Germany and Britain, 1917-1934 (review)
  2. Valerie Quinney
  3. pp. 219-221
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  1. Haymarket Scrapbook (review)
  2. Jay Murphy
  3. pp. 222-223
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  1. Readings in Interpretation, Hölderlin, Hegel, Heidegger (review)
  2. pp. 223-227
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  1. Literature Among Discourses: The Spanish Golden Age, and: Culture of the Baroque: Analysis of a Historical Structure (review)
  2. James Iffland
  3. pp. 232-238
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  1. Mariners, Renegades and Castaways: The Story of Herman Melville and the World We Live In (review)
  2. Paul Buhle
  3. pp. 243-245
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  1. Joseph A. Kalar: Poet of Protest (review)
  2. Arthur D. Casciato
  3. pp. 245-248
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  1. Contributors
  2. pp. 249-251
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