restricted access   Volume 52, Number 3, October 2000

Table of Contents

From: Theatre Journal

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Comment--The Details of Difference

pp. iv-vi
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Articles

"You've Got to Be Carefully Taught": The Politics of Race in Rodgers and Hammerstein's South Pacific

pp. 307-337
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Melancholy Bodies: Racial Subjectivity and Whiteness in O'Neill's The Emperor Jones

pp. 339-359
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The Dialectics of August Wilson's Piano Lesson

pp. 361-379
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Ghost Families in Sung Rno's Cleveland Raining

pp. 381-396
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Performance Review

Broken Hearts: A B.H. Mystery (review)

pp. 397-399
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Them (review)

pp. 399-401
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Some Explicit Polaroids, and: Sweet Dreams (review)

pp. 401-403
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A Midsummer Night's Dream (review)

pp. 403-405
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Life's A Dream (review)

pp. 405-407
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The Country Wife (review)

pp. 407-408
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The Cherry Orchard (review)

p. 409
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Ode to Progress, and: Judith, and: Dona Musica's Butterflies, and: Castle of Holstebro II, and: Itsi Bitsi (review)

pp. 410-414
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Magic Frequencies (review)

pp. 414-416
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Nelken (review)

pp. 416-418
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Full Circle (review)

pp. 418-420
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In the House of the Moles (review)

pp. 420-421
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Black Butterfly, Jaguar Girl, Pinata Woman, and Other Superhero Girls, Like Me (review)

pp. 421-422
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Camino Real (review)

pp. 422-424
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Alison's House (review)

pp. 425-426
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Book Review

The Cambridge History of American Theatre, Vol. I: Beginnings to 1870 (review)

pp. 427-428
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The Cambridge History of American Theatre, Vol. II: 1870-1945 (review)

pp. 428-429
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The Chinese Other, 1850-1925: An Anthology of Plays, and: Asian American Culture on Stage: The History of the East West Players (review)

pp. 430-431
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Eugene O'Neill: Beyond Mourning and Tragedy (review)

pp. 431-432
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Weasels and Wisemen: Ethics and Ethnicity in the Work of David Mamet (review)

pp. 432-434
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Yiddish Proletarian Theatre: The Art and Politics of the Artef, 1925-1940, and: God, Man, and Devil: Yiddish Plays in Translation (review)

pp. 434-436
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Staging Femininities: Performance and Performativity (review)

pp. 436-437
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Stanislavsky in Focus (review)

pp. 437-438
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Acting A to Z: The Young Person's Guide to a Stage or Screen Career, and: The Pursuit of Acting: Working Actors Share Their Experience and Advice (review)

pp. 438-440
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Writing Your First Play (review)

pp. 440-441
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Infinity (Stage) (review)

pp. 441-442
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1956 and All That: The Making of Modern British Drama (review)

pp. 442-443
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Books Received

pp. 444-448
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