1. "You've Got to Be Carefully Taught": The Politics of Race in Rodgers and Hammerstein's South Pacific
  2. Andrea Most
  3. pp. 307-337
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  1. Melancholy Bodies: Racial Subjectivity and Whiteness in O'Neill's The Emperor Jones
  2. Shannon Steen
  3. pp. 339-359
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  1. The Dialectics of August Wilson's Piano Lesson
  2. Harry Justin Elam
  3. pp. 361-379
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  1. Ghost Families in Sung Rno's Cleveland Raining
  2. Karen Shimakawa
  3. pp. 381-396
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  1. Broken Hearts: A B.H. Mystery (review)
  2. Sonja Kuftinec
  3. pp. 397-399
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  1. Them (review)
  2. Meiling Cheng
  3. pp. 399-401
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  1. Some Explicit Polaroids, and: Sweet Dreams (review)
  2. Sara Freeman
  3. pp. 401-403
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  1. A Midsummer Night's Dream (review)
  2. William T. Liston
  3. pp. 403-405
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  1. Life's A Dream (review)
  2. Roger Bechtel
  3. pp. 405-407
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  1. The Country Wife (review)
  2. Deborah Kaplan
  3. pp. 407-408
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  1. The Cherry Orchard (review)
  2. Laurence Raw
  3. p. 409
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  1. Ode to Progress, and: Judith, and: Dona Musica's Butterflies, and: Castle of Holstebro II, and: Itsi Bitsi (review)
  2. Seth Baumrin
  3. pp. 410-414
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  1. Magic Frequencies (review)
  2. Marcia L. Ferguson
  3. pp. 414-416
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  1. Nelken (review)
  2. Pamela Grieman
  3. pp. 416-418
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  1. Full Circle (review)
  2. Monika Gay
  3. pp. 418-420
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  1. In the House of the Moles (review)
  2. Jessica Hester
  3. pp. 420-421
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  1. Black Butterfly, Jaguar Girl, Pinata Woman, and Other Superhero Girls, Like Me (review)
  2. Elena Raine Dicus
  3. pp. 421-422
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  1. Camino Real (review)
  2. John Long
  3. pp. 422-424
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  1. Alison's House (review)
  2. J. Ellen Gainor
  3. pp. 425-426
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  1. The Cambridge History of American Theatre, Vol. I: Beginnings to 1870 (review)
  2. Rosemarie K. Bank
  3. pp. 427-428
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  1. The Cambridge History of American Theatre, Vol. II: 1870-1945 (review)
  2. Kim Marra
  3. pp. 428-429
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  1. The Chinese Other, 1850-1925: An Anthology of Plays, and: Asian American Culture on Stage: The History of the East West Players (review)
  2. Josephine D. Lee
  3. pp. 430-431
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  1. Eugene O'Neill: Beyond Mourning and Tragedy (review)
  2. Zander Brietzke
  3. pp. 431-432
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  1. Weasels and Wisemen: Ethics and Ethnicity in the Work of David Mamet (review)
  2. Michelle Ephraim
  3. pp. 432-434
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  1. Yiddish Proletarian Theatre: The Art and Politics of the Artef, 1925-1940, and: God, Man, and Devil: Yiddish Plays in Translation (review)
  2. Rebecca Rovit
  3. pp. 434-436
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  1. Staging Femininities: Performance and Performativity (review)
  2. Elaine Aston
  3. pp. 436-437
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  1. Stanislavsky in Focus (review)
  2. Seth Baumrin
  3. pp. 437-438
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  1. Writing Your First Play (review)
  2. Norman A. Bert
  3. pp. 440-441
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  1. Infinity (Stage) (review)
  2. Joshua Abrams
  3. pp. 441-442
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  1. 1956 and All That: The Making of Modern British Drama (review)
  2. James L. Penner
  3. pp. 442-443
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  1. Comment--The Details of Difference
  2. David Román
  3. pp. iv-vi
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  1. Books Received
  2. pp. 444-448
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