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In this Issue

Table of Contents

  1. "You've Got to Be Carefully Taught": The Politics of Race in Rodgers and Hammerstein's South Pacific
  2. Andrea Most
  3. pp. 307-337
  4. DOI: https://doi.org/10.1353/tj.2000.0091
  5. restricted access
  1. Melancholy Bodies: Racial Subjectivity and Whiteness in O'Neill's The Emperor Jones
  2. Shannon Steen
  3. pp. 339-359
  4. DOI: https://doi.org/10.1353/tj.2000.0097
  5. restricted access
  1. The Dialectics of August Wilson's Piano Lesson
  2. Harry Justin Elam
  3. pp. 361-379
  4. DOI: https://doi.org/10.1353/tj.2000.0077
  5. restricted access
  1. Ghost Families in Sung Rno's Cleveland Raining
  2. Karen Shimakawa
  3. pp. 381-396
  4. DOI: https://doi.org/10.1353/tj.2000.0096
  5. restricted access
  1. Broken Hearts: A B.H. Mystery (review)
  2. Sonja Kuftinec
  3. pp. 397-399
  4. DOI: https://doi.org/10.1353/tj.2000.0086
  5. restricted access
  1. Them (review)
  2. Meiling Cheng
  3. pp. 399-401
  4. DOI: https://doi.org/10.1353/tj.2000.0074
  5. restricted access
  1. Some Explicit Polaroids, and: Sweet Dreams (review)
  2. Sara Freeman
  3. pp. 401-403
  4. DOI: https://doi.org/10.1353/tj.2000.0080
  5. restricted access
  1. A Midsummer Night's Dream (review)
  2. William T. Liston
  3. pp. 403-405
  4. DOI: https://doi.org/10.1353/tj.2000.0088
  5. restricted access
  1. Life's A Dream (review)
  2. Roger Bechtel
  3. pp. 405-407
  4. DOI: https://doi.org/10.1353/tj.2000.0070
  5. restricted access
  1. The Country Wife (review)
  2. Deborah Kaplan
  3. pp. 407-408
  4. DOI: https://doi.org/10.1353/tj.2000.0085
  5. restricted access
  1. The Cherry Orchard (review)
  2. Laurence Raw
  3. p. 409
  4. DOI: https://doi.org/10.1353/tj.2000.0093
  5. restricted access
  1. Ode to Progress, and: Judith, and: Dona Musica's Butterflies, and: Castle of Holstebro II, and: Itsi Bitsi (review)
  2. Seth Baumrin
  3. pp. 410-414
  4. DOI: https://doi.org/10.1353/tj.2000.0068
  5. restricted access
  1. Magic Frequencies (review)
  2. Marcia L. Ferguson
  3. pp. 414-416
  4. DOI: https://doi.org/10.1353/tj.2000.0079
  5. restricted access
  1. Nelken (review)
  2. Pamela Grieman
  3. pp. 416-418
  4. DOI: https://doi.org/10.1353/tj.2000.0083
  5. restricted access
  1. Full Circle (review)
  2. Monika Gay
  3. pp. 418-420
  4. DOI: https://doi.org/10.1353/tj.2000.0082
  5. restricted access
  1. In the House of the Moles (review)
  2. Jessica Hester
  3. pp. 420-421
  4. DOI: https://doi.org/10.1353/tj.2000.0084
  5. restricted access
  1. Black Butterfly, Jaguar Girl, Pinata Woman, and Other Superhero Girls, Like Me (review)
  2. Elena Raine Dicus
  3. pp. 421-422
  4. DOI: https://doi.org/10.1353/tj.2000.0075
  5. restricted access
  1. Camino Real (review)
  2. John Long
  3. pp. 422-424
  4. DOI: https://doi.org/10.1353/tj.2000.0089
  5. restricted access
  1. Alison's House (review)
  2. J. Ellen Gainor
  3. pp. 425-426
  4. DOI: https://doi.org/10.1353/tj.2000.0081
  5. restricted access
  1. The Cambridge History of American Theatre, Vol. I: Beginnings to 1870 (review)
  2. Rosemarie K. Bank
  3. pp. 427-428
  4. DOI: https://doi.org/10.1353/tj.2000.0067
  5. restricted access
  1. The Cambridge History of American Theatre, Vol. II: 1870-1945 (review)
  2. Kim Marra
  3. pp. 428-429
  4. DOI: https://doi.org/10.1353/tj.2000.0090
  5. restricted access
  1. The Chinese Other, 1850-1925: An Anthology of Plays, and: Asian American Culture on Stage: The History of the East West Players (review)
  2. Josephine D. Lee
  3. pp. 430-431
  4. DOI: https://doi.org/10.1353/tj.2000.0087
  5. restricted access
  1. Eugene O'Neill: Beyond Mourning and Tragedy (review)
  2. Zander Brietzke
  3. pp. 431-432
  4. DOI: https://doi.org/10.1353/tj.2000.0073
  5. restricted access
  1. Weasels and Wisemen: Ethics and Ethnicity in the Work of David Mamet (review)
  2. Michelle Ephraim
  3. pp. 432-434
  4. DOI: https://doi.org/10.1353/tj.2000.0078
  5. restricted access
  1. Yiddish Proletarian Theatre: The Art and Politics of the Artef, 1925-1940, and: God, Man, and Devil: Yiddish Plays in Translation (review)
  2. Rebecca Rovit
  3. pp. 434-436
  4. DOI: https://doi.org/10.1353/tj.2000.0095
  5. restricted access
  1. Staging Femininities: Performance and Performativity (review)
  2. Elaine Aston
  3. pp. 436-437
  4. DOI: https://doi.org/10.1353/tj.2000.0066
  5. restricted access
  1. Stanislavsky in Focus (review)
  2. Seth Baumrin
  3. pp. 437-438
  4. DOI: https://doi.org/10.1353/tj.2000.0069
  5. restricted access
  1. Acting A to Z: The Young Person's Guide to a Stage or Screen Career, and: The Pursuit of Acting: Working Actors Share Their Experience and Advice (review)
  2. Linda Donahue
  3. pp. 438-440
  4. DOI: https://doi.org/10.1353/tj.2000.0076
  5. restricted access
  1. Writing Your First Play (review)
  2. Norman A. Bert
  3. pp. 440-441
  4. DOI: https://doi.org/10.1353/tj.2000.0071
  5. restricted access
  1. Infinity (Stage) (review)
  2. Joshua Abrams
  3. pp. 441-442
  4. DOI: https://doi.org/10.1353/tj.2000.0065
  5. restricted access
  1. 1956 and All That: The Making of Modern British Drama (review)
  2. James L. Penner
  3. pp. 442-443
  4. DOI: https://doi.org/10.1353/tj.2000.0092
  5. restricted access
  1. Comment--The Details of Difference
  2. David Román
  3. pp. iv-vi
  4. DOI: https://doi.org/10.1353/tj.2000.0094
  5. restricted access
  1. Books Received
  3. pp. 444-448
  4. DOI: https://doi.org/10.1353/tj.2000.0072
  5. restricted access