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  Volume 52, Number 2, May 2000

Table of Contents

From: Theatre Journal

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p. iv | DOI: 10.1353/tj.2000.0035


p. 286 | DOI: 10.1353/tj.2000.0042


Performing Degree Zero: Barthes, Body, Theatre

pp. 161-181 | DOI: 10.1353/tj.2000.0058

Failing "White Woman": Interrogating the Performance of Respectability

pp. 183-209 | DOI: 10.1353/tj.2000.0045

The Disavowal of Ethnicity: Legitimate Theatre and the Social Construction of Literary Value in Turn-of-the-Century America

pp. 211-226 | DOI: 10.1353/tj.2000.0046

The Passion of Joanna Baillie: Playwright as Martyr

pp. 227-252 | DOI: 10.1353/tj.2000.0038

Doctoral Projects in Progress in Theatre Arts, 2000

pp. 253-257 | DOI: 10.1353/tj.2000.0040

Performance Reviews

Festival International des Francophonies en Limousin, Limoges, France, 23 September-3 October 1999 (review)

pp. 259-263 | DOI: 10.1353/tj.2000.0047

Festival D'Avignon, Avignon, France, 16-18 July 1999 (review)

pp. 263-266 | DOI: 10.1353/tj.2000.0048

Theatertreffen Berlin, 1-24 May 1999 (review)

pp. 266-269 | DOI: 10.1353/tj.2000.0061

The 1999 Stratford Festival, Stratford, Ontario, Canada, 20-22 July 1999 (review)

pp. 269-272 | DOI: 10.1353/tj.2000.0036

The 11th International Istanbul Theatre Festival, Istanbul, Turkey, 19 May-4 June 1999 (review)

pp. 272-276 | DOI: 10.1353/tj.2000.0063

13th Annual Eurokaz Festival of International Theatre, Zagreb, Croatia, 23-30 June 1999, and: 5th Annual Puf International Theatre Festival, Pula, Croatia, 2-6 July 1999 (review)

pp. 276-278 | DOI: 10.1353/tj.2000.0039

Edinburgh Fringe Festival, Edinburgh, Scotland, 8-30 August 1999 (review)

pp. 278-280 | DOI: 10.1353/tj.2000.0051

25th Anniversary Standard Bank National Arts Festival, Grahamstown, South Africa, 29 June-11 July 1999 (review)

pp. 280-283 | DOI: 10.1353/tj.2000.0050

11th Cairo International Festival for Experimental Theatre, Cairo, Egypt, 1-11 September 1999 (review)

pp. 283-286 | DOI: 10.1353/tj.2000.0037

Book Reviews

Acts of Intervention: Performance, Gay Culture, and AIDS (review)

pp. 287-288 | DOI: 10.1353/tj.2000.0054

Shakespeare on the German Stage: The Twentieth Century, and: Redefining Shakespeare: Literary Theory and Theater Practice in the German Democratic Republic (review)

pp. 288-290 | DOI: 10.1353/tj.2000.0056

Shakespeare's Theory of Drama (review)

pp. 290-291 | DOI: 10.1353/tj.2000.0052

Drama and Politics in the English Civil War, and: At Zero Point: Discourse, Culture, and Satire in Restoration England (review)

pp. 291-293 | DOI: 10.1353/tj.2000.0053

Democracy at the Opera: Music, Theater, and Culture in New York City, 1815-60 (review)

pp. 293-294 | DOI: 10.1353/tj.2000.0043

The History of North American Theater: The United States, Canada, and Mexico: From Pre-Columbian Times to the Present (review)

pp. 294-295 | DOI: 10.1353/tj.2000.0064

Structural Design for the Stage (review)

pp. 295-297 | DOI: 10.1353/tj.2000.0059

Nomadic Identities: The Performance of Citizenship (review)

pp. 297-298 | DOI: 10.1353/tj.2000.0041

Four Plays, and: Black South African Women: An Anthology of Plays (review)

pp. 298-300 | DOI: 10.1353/tj.2000.0049

Harold Pinter and the New British Theatre (review)

pp. 300-301 | DOI: 10.1353/tj.2000.0044

Postmodern/Drama: Reading the Contemporary Stage (review)

pp. 301-302 | DOI: 10.1353/tj.2000.0055

Differences in the Dark: American Movies and English Theater (review)

p. 303 | DOI: 10.1353/tj.2000.0060

Cultural Calisthenics: Writings on Race, Politics, and Theatre (review)

pp. 304-305 | DOI: 10.1353/tj.2000.0062

Collaborative Theatre: The Theatre du Soleil Sourcebook (review)

p. 305 | DOI: 10.1353/tj.2000.0057

Research Areas


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