restricted access   Volume 53, Number 2, Summer 2009 (T 202)

Table of Contents


Let Me Take the Next Step: Go No Further Than Me

pp. 2-3

TDR Comment

Performing Arts and Cultural Identity in the Era of Interculturalism

pp. 7-11

Letters, Etc.

Re-Reading "Re-Reading Grotowski"

pp. 12-15

Student Essay Contest Winner

p. 15


p. 16


De/visualizing Calligraphic Archaeology: Qiu Zhijie's Total Art

pp. 17-34

Performing Gender at the Beginning of Modern Chinese Theatre

pp. 35-50

Performing and Supplicating Mānik Pīr: Infrapolitics in the Domain of Popular Islam

pp. 51-76

Macho Dancing, the Feminization of Labor, and Neoliberalism in the Philippines

pp. 77-89

Gender and the Erotics of Nationalism in Ngũgĩ wa Thiong'o's Drama

pp. 90-112

The Body Electric: GE, TV, and the Reagan Brand

pp. 113-138

Critical Acts

"It Don't Gitmo Better": Scenes from the Coney Island Waterboarding Thrill Ride

pp. 139-145

Not Your Father's Poor Theatre

pp. 145-149

Fashioning Hybridity

pp. 150-157


Duro Ladipo: Thunder-God on Stage, and: Ngũgĩ wa Thiong'o's Drama and the Kamĩrĩĩthũ Popular Theater Experiment (review)

pp. 158-161

Judson Dance Theatre: Performative Traces (review)

pp. 161-164

Sensational Knowledge: Embodying Culture through Japanese Dance (review)

pp. 164-165

The Origins of Theater in Ancient Greece and Beyond: From Ritual to Drama (review)

pp. 166-168

And Then, You Act: Making Art in an Unpredictable World (review)

pp. 168-169