restricted access   Volume 53, Number 3, Fall 2009 (T 203)

Table of Contents


Toward a Neo-Cubist Alamkara Movement in a Reality-Programmed Theatre Near You

pp. 2-3

TDR Comment

Philip Auslander Responds to "Concerning Theory for Performance Studies"

pp. 7-8


Cold Chicago: Uncivil Modernity, Urban Form, and Performance in the Upstart City

pp. 10-36

Building Utopia: Performance and the Fantasy of Urban Renewal in Contemporary Toronto

pp. 37-53

Parkour or l'art du déplacement: A Kinetic Urban Utopia

pp. 54-66

Out of Hand: YouTube Amateurs and Professionals

pp. 67-83

Live from the Front: A Poetics of Slamming the "Truth"

pp. 84-97

"Gypsy Music" and Deejays: Orientalism, Balkanism, and Romani Musicians

pp. 98-116

Raqs Gothique: Decolonizing Belly Dance

pp. 117-138

Student Essay Contest Winner

Rehearsing the War Away: Perpetual Warrior Training in Contemporary US Army Policy

pp. 139-155

Critical Acts

Isthmian Performances: Panama's Festival Internacional de Artes Escénicas

pp. 156-161

Que le watcha los cabrones: Marking the 30th Anniversary of Luis Valdez's Zoot Suit

pp. 162-169


Small Acts of Repair: Performance, Ecology and Goat Island (review)

pp. 170-172

The Last Performance [dot org] (review)

pp. 172-174

Anna Halprin: Experience as Dance (review)

pp. 174-176

Theatre and Slavery: Ghosts at the Crossroads (review)

pp. 176-177

Contemporary African American Women Playwrights: A Casebook (review)

pp. 178-179

Stage Presence (review)

pp. 179-181