1. Re-Conceiving Voice in Modern Verse
  2. Clive Scott
  3. pp. 5-20
  4. DOI: 10.1353/ccs.0.0008
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  1. The Monodramatic Experiment
  2. Christopher Smith
  3. pp. 21-33
  4. DOI: 10.1353/ccs.0.0000
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  1. The Musical-Artistic Story: Hoffmann, Odoevsky and Pasternak
  2. Neil Cornwell
  3. pp. 35-55
  4. DOI: 10.1353/ccs.0.0001
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  1. Celestial Discords: The Music of Dante’s Paradise
  2. Maurice Slawinski
  3. pp. 57-80
  4. DOI: 10.1353/ccs.0.0002
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  1. Writing Like Music: Luciano Berio, Umberto Eco and the New Avant-Garde
  2. Florian Mussgnug
  3. pp. 81-97
  4. DOI: 10.1353/ccs.0.0004
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  1. ‘Odes I’ by Horace (excerpts)
  2. Horace, Colin Anderson
  3. pp. 100-107
  4. DOI: 10.1353/ccs.0.0009
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  1. ‘In the Arms of the Father’ (excerpts)
  2. Flavia Cosma, Charles Siedlecki
  3. pp. 108-114
  4. DOI: 10.1353/ccs.0.0010
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  1. Notes on Contributors
  2. pp. iv-vi
  3. DOI: 10.1353/ccs.0.0003
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  1. BCLA President’s Letter
  2. Dame Gillian Beer
  3. pp. vii-viii
  4. DOI: 10.1353/ccs.0.0005
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  1. Introduction
  2. Jean Boase-Beier
  3. pp. 1-3
  4. DOI: 10.1353/ccs.0.0007
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