1. Disaster Footage: Spectacles of Violence in DeLillo's Fiction
  2. Jeremy Green
  3. pp. 571-599
  4. DOI: 10.1353/mfs.1999.0051
  5. restricted access View |
  1. "More Advanced the Deeper We Dig": Ratner's Star
  2. David Cowart
  3. pp. 600-620
  4. DOI: 10.1353/mfs.1999.0048
  5. restricted access View |
  1. Art after Dealey Plaza: DeLillo's Libra
  2. Skip Willman
  3. pp. 621-640
  4. DOI: 10.1353/mfs.1999.0058
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  1. Becoming Incorporated: Spectacular Authorship and DeLillo's Mao II
  2. Mark Osteen
  3. pp. 643-674
  4. DOI: 10.1353/mfs.1999.0054
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  1. What is a Terrorist? Contemporary Authorship, the Unabomber, and Mao II
  2. Ryan Simmons
  3. pp. 675-695
  4. DOI: 10.1353/mfs.1999.0056
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  1. From Hoover's FBI to Eisenstein's Unterwelt: DeLillo Directs the Postmodern Novel
  2. Timothy Parrish
  3. pp. 696-723
  4. DOI: 10.1353/mfs.1999.0055
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  1. "A Small Incisive Shock": Modern Forms, Postmodern Politics, and the Role of the Avant-Garde in Underworld
  2. Philip Nel
  3. pp. 724-752
  4. DOI: 10.1353/mfs.1999.0053
  5. restricted access View |
  1. "Who are You, Literally?": Fantasies of the White Self in White Noise
  2. Tim Engles
  3. pp. 755-787
  4. DOI: 10.1353/mfs.1999.0050
  5. restricted access View |
  1. "Here But Also There": Subjectivity and Postmodern Space in Mao II
  2. Laura Barrett
  3. pp. 788-810
  4. DOI: 10.1353/mfs.1999.0046
  5. restricted access View |
  1. Everything is Connected: Underworld's Secret History of Paranoia
  2. Peter Knight
  3. pp. 811-836
  4. DOI: 10.1353/mfs.1999.0052
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  1. Don DeLillo: A Selected Bibliography
  2. Joseph S. Walker
  3. pp. 837-851
  4. DOI: 10.1353/mfs.1999.0057
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  1. Introduction: From Valparaiso to Jerusalem: DeLillo and the Moment of Canonization
  2. John N. Duvall
  3. pp. 559-568
  4. DOI: 10.1353/mfs.1999.0049
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  1. Contributors
  2. pp. 852-853
  3. DOI: 10.1353/mfs.1999.0047
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