1. Editor's Note
  2. William J. Palmer
  3. p. 273
  4. DOI: 10.1353/mfs.1999.0037
  5. restricted access View |
  1. Creative Fertility and the National Romance in Willa Cather's O Pioneers! and My Antonia
  2. Mary Paniccia Carden
  3. pp. 275-302
  4. DOI: 10.1353/mfs.1999.0045
  5. restricted access View |
  1. The Good Soldier and the War for British Modernism
  2. Jeffrey Mathes McCarthy
  3. pp. 303-339
  4. DOI: 10.1353/mfs.1999.0042
  5. restricted access View |
  1. The Fate of the Modern Mistress: Nancy Mitford and the Comedy of Marriage
  2. Allan Hepburn
  3. pp. 340-368
  4. DOI: 10.1353/mfs.1999.0039
  5. restricted access View |
  1. Meres Fatales: Maternal Guilt in the Noir Crime Novel
  2. Lee Horsley, Katharine Horsley
  3. pp. 369-402
  4. DOI: 10.1353/mfs.1999.0040
  5. restricted access View |
  1. A Historical Transposition: Toni Morrison's Tar Baby and Fanon's Post-Enlightenment Phantasms
  2. Julia Emberley
  3. pp. 403-431
  4. DOI: 10.1353/mfs.1999.0038
  5. restricted access View |
  1. The Lie of the Land: Heartland Novels by Smiley and Kinsella
  2. Carl Darryl Malmgren
  3. pp. 432-456
  4. DOI: 10.1353/mfs.1999.0041
  5. restricted access View |
  1. Israel's New Literature of the Holocaust: The Case of David Grossman's See Under: Love
  2. Gilead Morahg
  3. pp. 457-479
  4. DOI: 10.1353/mfs.1999.0043
  5. restricted access View |
  1. Henry James's Last Romance: Making Sense of the Past and the American Scene (review)
  2. Marc DaRosa
  3. pp. 482-485
  4. DOI: 10.1353/mfs.1999.0020
  5. restricted access View |
  1. Unflinching Gaze: Morrison and Faulkner Re-Envisioned (review)
  2. Philip Page
  3. pp. 485-487
  4. DOI: 10.1353/mfs.1999.0024
  5. restricted access View |
  1. Faulkner: Masks and Metaphors
  2. Stephen M. Ross
  3. pp. 487-489
  4. DOI: 10.1353/mfs.1999.0021
  5. restricted access View |
  1. William Faulkner: The Making of a Modernist
  2. Doreen Fowler
  3. pp. 489-491
  4. DOI: 10.1353/mfs.1999.0031
  5. restricted access View |
  1. The Other America: Caribbean Literature in a New World Context
  2. James E. Maraniss
  3. pp. 491-493
  4. DOI: 10.1353/mfs.1999.0016
  5. restricted access View |
  1. Historical Thought and Literary Representation in West Indian Literature
  2. Nancy Rockmore Cirillo
  3. pp. 493-496
  4. DOI: 10.1353/mfs.1999.0032
  5. restricted access View |
  1. Show and Tell: Identity as Performance in U.S. Latina/o Fiction
  2. Tiffany Ana López
  3. pp. 496-498
  4. DOI: 10.1353/mfs.1999.0044
  5. restricted access View |
  1. Psychoanalysis and Black Novels: Desire and the Protocols of Race
  2. James Robert Saunders
  3. pp. 498-502
  4. DOI: 10.1353/mfs.1999.0033
  5. restricted access View |
  1. Black Metafiction: Self-Consciousness in African American Literature
  2. Ashraf H. A. Rushdy
  3. pp. 502-504
  4. DOI: 10.1353/mfs.1999.0022
  5. restricted access View |
  1. Granny Midwives & Black Women Writers: Double-Dutched Readings (review)
  2. Carol E. Henderson
  3. pp. 505-507
  4. DOI: 10.1353/mfs.1999.0026
  5. restricted access View |
  1. Wising Up the Marks: The Amodern William Burroughs
  2. Hugh E. L. Rozelle
  3. pp. 507-510
  4. DOI: 10.1353/mfs.1999.0028
  5. restricted access View |
  1. Dos Passos and the Ideology of the Feminine
  2. Mark A. Eaton
  3. pp. 510-513
  4. DOI: 10.1353/mfs.1999.0015
  5. restricted access View |
  1. Morality USA
  2. Lee Quinby
  3. pp. 513-515
  4. DOI: 10.1353/mfs.1999.0018
  5. restricted access View |
  1. Modernism, History and the First World War
  2. Andrew Kunka
  3. pp. 516-520
  4. DOI: 10.1353/mfs.1999.0034
  5. restricted access View |
  1. After Yeats and Joyce: Reading Modern Irish Literature, and: Strange Country: Modernity and Nationhood in Irish Writing Since 1790
  2. George O'Brien
  3. pp. 520-524
  4. DOI: 10.1353/mfs.1999.0017
  5. restricted access View |
  1. Joyce, Joyceans, and the Rhetoric of Citation (review)
  2. Tony E. Jackson
  3. pp. 524-526
  4. DOI: 10.1353/mfs.1999.0023
  5. restricted access View |
  1. The Feminist Aesthetics of Virginia Woolf: Modernism, Post-Impressionism, and the Politics of the Visual
  2. Diane F. Gillespie
  3. pp. 526-529
  4. DOI: 10.1353/mfs.1999.0019
  5. restricted access View |
  1. Consuming Fictions: The Booker Prize and Fiction in Britain Today
  2. James F. English
  3. pp. 529-533
  4. DOI: 10.1353/mfs.1999.0035
  5. restricted access View |
  1. British Imperial Literature, 1870-1940: Writing and the Administration of Empire
  2. Anne E. Fernald
  3. pp. 533-535
  4. DOI: 10.1353/mfs.1999.0013
  5. restricted access View |
  1. Women and Writing in Modern China, and: The Mother and Narrative Politics in Modern China
  2. Ming-yan Lai
  3. pp. 536-541
  4. DOI: 10.1353/mfs.1999.0025
  5. restricted access View |
  1. Immigrant Subjectivities in Asian American and Asian Diaspora Literatures
  2. Monica Chiu
  3. pp. 542-544
  4. DOI: 10.1353/mfs.1999.0027
  5. restricted access View |
  1. Is There Truth in Art?
  2. Tom McCall
  3. pp. 545-549
  4. DOI: 10.1353/mfs.1999.0030
  5. restricted access View |
  1. Libidinal Currents: Sexuality and the Shaping of Modernism
  2. Christopher Lane
  3. pp. 550-553
  4. DOI: 10.1353/mfs.1999.0014
  5. restricted access View |
  1. Hamlet on the Holodeck: The Future of Narrative in Cyberspace
  2. Barbara Page
  3. pp. 553-556
  4. DOI: 10.1353/mfs.1999.0029
  5. restricted access View |
  1. Contributors
  2. pp. 457-458
  3. DOI: 10.1353/mfs.1999.0036
  4. restricted access View |