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In this Issue

Table of Contents

  1. Music Circulating Libraries in France: An Overview and a Preliminary List
  2. Anita Stoltzfus Breckbill, Carole Goebes
  3. pp. 761-790
  4. DOI: https://doi.org/10.1353/not.2007.0057
  5. restricted access
  1. Anna Harriet Heyer, An Isolated Pioneer
  2. Carol June Bradley
  3. pp. 798-805
  4. DOI: https://doi.org/10.1353/not.2007.0056
  5. restricted access
  1. Necrology Index
  2. Paul Hahn
  3. pp. 806-820
  4. DOI: https://doi.org/10.1353/not.2007.0068
  5. restricted access
  1. Polymath of the Baroque: Agostino Steffani and His Music (review)
  2. Stuart Cheney
  3. pp. 827-829
  4. DOI: https://doi.org/10.1353/not.2007.0059
  5. restricted access
  1. A Thematic Catalogue of the Works of Michel-Richard de Lalande (1657–1726) (review)
  2. Bruce Gustafson
  3. pp. 829-831
  4. DOI: https://doi.org/10.1353/not.2007.0067
  5. restricted access
  1. The String Quartets of Joseph Haydn (review)
  2. Nancy November
  3. pp. 831-833
  4. DOI: https://doi.org/10.1353/not.2007.0088
  5. restricted access
  1. E. T. A. Hoffmann's Musical Aesthetics (review)
  2. Elizabeth Kramer
  3. pp. 833-836
  4. DOI: https://doi.org/10.1353/not.2007.0077
  5. restricted access
  1. Reflections on Liszt (review)
  2. Jonathan Kregor
  3. pp. 836-839
  4. DOI: https://doi.org/10.1353/not.2007.0078
  5. restricted access
  1. Franz Liszt and his World (review)
  2. David Trippett
  3. pp. 839-842
  4. DOI: https://doi.org/10.1353/not.2007.0096
  5. restricted access
  1. Rachmaninoff: Life, Works, Recordings (review)
  2. Tammy Ravas
  3. pp. 842-844
  4. DOI: https://doi.org/10.1353/not.2007.0094
  5. restricted access
  1. The Cambridge History of Twentieth-Century Music (review)
  2. J. Peter Burkholder
  3. pp. 844-848
  4. DOI: https://doi.org/10.1353/not.2007.0058
  5. restricted access
  1. Creative Union: The Professional Organization of Soviet Composers, 1939–1953 (review)
  2. Kevin Michael Bartig
  3. pp. 848-850
  4. DOI: https://doi.org/10.1353/not.2007.0054
  5. restricted access
  1. Debussy's Letters to Inghelbrecht: The Story of a Musical Friendship (review)
  2. Simon Trezise
  3. pp. 850-852
  4. DOI: https://doi.org/10.1353/not.2007.0095
  5. restricted access
  1. The Ballets of Maurice Ravel: Creation and Interpretation (review)
  2. Michael Puri
  3. pp. 852-854
  4. DOI: https://doi.org/10.1353/not.2007.0092
  5. restricted access
  1. Lou Harrison (review)
  2. Virginia Anderson
  3. pp. 854-856
  4. DOI: https://doi.org/10.1353/not.2007.0053
  5. restricted access
  1. New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification (review)
  2. Martin Iddon
  3. pp. 856-859
  4. DOI: https://doi.org/10.1353/not.2007.0073
  5. restricted access
  1. The John Adams Reader: Essential Writings on an American Composer (review)
  2. Rob Haskins
  3. pp. 859-861
  4. DOI: https://doi.org/10.1353/not.2007.0070
  5. restricted access
  1. The Musical Idea/-/-And the Logic, Technique, and Art of Its Presentation (review)
  2. Edward Green
  3. pp. 861-863
  4. DOI: https://doi.org/10.1353/not.2007.0066
  5. restricted access
  1. Schönbergs Zeichen: Wege zur Interpretation seiner Klaviermusik (review)
  2. Áine Heneghan
  3. pp. 864-866
  4. DOI: https://doi.org/10.1353/not.2007.0071
  5. restricted access
  1. Mischa Mischakoff: Journeys of a Concertmaster (review)
  2. Kirstin Dougan
  3. pp. 866-868
  4. DOI: https://doi.org/10.1353/not.2007.0064
  5. restricted access
  1. Hanging Off the Edge: Revelations of a Modern Troubadour (review)
  2. Joan O'Connor
  3. pp. 868-869
  4. DOI: https://doi.org/10.1353/not.2007.0089
  5. restricted access
  1. Brazilian Popular Music: Caetano Veloso and the Regeneration of Tradition (review)
  2. Jonathon Degrasse
  3. pp. 870-872
  4. DOI: https://doi.org/10.1353/not.2007.0063
  5. restricted access
  1. Music in Latin America and the Caribbean: An Encyclopedic History: Volume 1: Performing Beliefs: Indigenous Cultures of South America, Central America, and Mexico (review)
  2. Mark E. Perry
  3. pp. 872-874
  4. DOI: https://doi.org/10.1353/not.2007.0091
  5. restricted access
  1. Endless Enigma: A Musical Biography of Emerson, Lake and Palmer (review)
  2. Ken McLeod
  3. pp. 874-876
  4. DOI: https://doi.org/10.1353/not.2007.0083
  5. restricted access
  1. Performance and Popular Music: History, Place and Time (review)
  2. Michelle Oswell
  3. pp. 876-879
  4. DOI: https://doi.org/10.1353/not.2007.0090
  5. restricted access
  1. Which Side Are You On: An Inside History of the Folk Music Revival in America (review)
  2. Ned Quist
  3. pp. 879-881
  4. DOI: https://doi.org/10.1353/not.2007.0093
  5. restricted access
  1. So I've Heard: Notes of a Migratory Music Critic (review)
  2. Christopher E. Mehrens
  3. pp. 881-885
  4. DOI: https://doi.org/10.1353/not.2007.0084
  5. restricted access
  1. Music and Gesture (review)
  2. Hedy Law
  3. pp. 885-887
  4. DOI: https://doi.org/10.1353/not.2007.0080
  5. restricted access
  1. Books Recently Published
  2. Julia Graepel, Karen R. Little
  3. pp. 888-902
  4. DOI: https://doi.org/10.1353/not.2007.0065
  5. restricted access
  1. Ebrary Online Sheet Music (review)
  2. Amy Harrell
  3. pp. 903-906
  4. DOI: https://doi.org/10.1353/not.2007.0069
  5. restricted access
  1. MetOpera Database (review)
  2. Richard Le Sueur
  3. pp. 906-908
  4. DOI: https://doi.org/10.1353/not.2007.0081
  5. restricted access
  1. Music in the Afghan North, 1967–1972 (review)
  2. Virginia Danielson
  3. pp. 908-910
  4. DOI: https://doi.org/10.1353/not.2007.0062
  5. restricted access
  1. UT Song Index (review)
  2. Ellen Luchinsky, Shayna Siegel
  3. pp. 910-911
  4. DOI: https://doi.org/10.1353/not.2007.0082
  5. restricted access
  1. The BBC Radiophonic Workshop: Recent Reissues of British Electronic Music From 1955–1996
  2. Louis Niebur
  3. pp. 912-923
  4. DOI: https://doi.org/10.1353/not.2007.0086
  5. restricted access
  1. Briefly Noted
  2. Rick Anderson
  3. pp. 923-928
  4. DOI: https://doi.org/10.1353/not.2007.0052
  5. restricted access
  1. Les organa à deux voix pour l'Office du manuscrit de Florence, Biblioteca Medicea-Laurenziana, plut. 29.1, and: Les organa à deux voix pour la Messe (de Noël à la fête de Saint-Pierre et Saint-Paul) du manuscrit de Florence, Biblioteca Medicea- Laurenziana, plut. 29.1, and: Les organa à deux voix pour la Messe (de l'Assomption au Commun des Saints) du manuscrit de Florence, Biblioteca Medicea-Laurenziana, plut. 29.1 (review)
  2. Theodore Karp
  3. pp. 929-934
  4. DOI: https://doi.org/10.1353/not.2007.0075
  5. restricted access
  1. Selected Piano Solos, 1928–1941 (review)
  2. Geoffrey Holden Block
  3. pp. 934-938
  4. DOI: https://doi.org/10.1353/not.2007.0055
  5. restricted access
  1. Quintette for Piano and Strings, op. 92 (review)
  2. David Nicholls
  3. pp. 938-940
  4. DOI: https://doi.org/10.1353/not.2007.0085
  5. restricted access
  1. Incomplete Operas (review)
  2. Keith Harris Cochran
  3. pp. 940-942
  4. DOI: https://doi.org/10.1353/not.2007.0060
  5. restricted access
  1. Klavierwerke II: Suites de Pièces pour le Clavecin: Zweite Sammlung von 1733, HWV 434–442, and: Klavierwerke I–IV: Die acht großen Suiten, erste Sammlung von 1720; Suites de Pièces pour Clavecin, zweite Sammlung von 1733; Einzelne Suiten und Stücke, erste Folge; Einzelne Suiten und Stücke, zweite Folge (review)
  2. Mark Kroll
  3. pp. 942-945
  4. DOI: https://doi.org/10.1353/not.2007.0079
  5. restricted access
  1. Music Publishers' Catalogs
  2. George Robert Hill
  3. pp. 955-957
  4. DOI: https://doi.org/10.1353/not.2007.0072
  5. restricted access
  1. Communications
  3. pp. 958-959
  4. DOI: https://doi.org/10.1353/not.2007.0061
  5. restricted access
  1. Index to Volume 63 September 2006 through June 2007
  2. Martin Jenkins
  3. pp. 1004-1016
  4. DOI: https://doi.org/10.1353/not.2007.0074
  5. restricted access
  1. Notes for NOTES
  3. pp. 821-826
  4. DOI: https://doi.org/10.1353/not.2007.0087
  5. restricted access
  1. Music Received
  2. David Knapp
  3. pp. 946-954
  4. DOI: https://doi.org/10.1353/not.2007.0076
  5. restricted access