Volume 63, Number 3, March 2007

Table of Contents

From: Notes

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Early Lutheran Hymnals and Other Musical Sources in the Kessler Reformation Collection at Emory University

pp. 503-528
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DOI: 10.1353/not.2007.0009
Stephen A. Crist
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Beethoven in the Auction Market: A Twenty-Year Review

pp. 533-564
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DOI: 10.1353/not.2007.0043
Patricia Stroh
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Essential Partners in Collection Development: Vendors and Music Librarians

pp. 565-575
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DOI: 10.1353/not.2007.0049
Daniel Zager
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Notes for NOTES

pp. 576-583
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DOI: 10.1353/not.2007.0034
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Book Reviews
Edited by Robert Follet

Wolfgang Amadeus Mozart

The Cambridge Mozart Encyclopedia (review)

pp. 584-586
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DOI: 10.1353/not.2007.0050
Laurel E. Zeiss
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Mozart Handbuch (review)

pp. 586-588
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DOI: 10.1353/not.2007.0004
Van Boer, Bertil H
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Mozart: The Early Years, 1756-1781 (review)

pp. 588-590
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DOI: 10.1353/not.2007.0040
Jane R. Stevens
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Medieval and Renaissance Music Studies

Citation and Authority in Medieval and Renaissance Culture: Learning from the Learned (review)

pp. 590-593
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DOI: 10.1353/not.2007.0042
Jason Stoessel
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Sixteenth- and Seventeenth-Century Studies

Studies in the Printing, Publishing and Performance of Music in the 16th Century (review)

pp. 593-595
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DOI: 10.1353/not.2007.0000
Richard J. Agee
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Music in the Collective Experience in Sixteenth-Century Milan (review)

pp. 595-597
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DOI: 10.1353/not.2007.0037
Stephen James Rice
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The Cambridge History of Seventeenth-Century Music (review)

pp. 597-600
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DOI: 10.1353/not.2007.0002
Candace Lea Bailey
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Inventing the Business of Opera: The Impresario and His World in Seventeenth Century Venice (review)

pp. 600-602
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DOI: 10.1353/not.2007.0044
Sandy Thorburn
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Music and Ideas in the Sixteenth and Seventeenth Centuries (review)

pp. 602-604
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DOI: 10.1353/not.2007.0033
Margaret Murata
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Eighteenth-Century Studies

The Chamber Cantatas of Antonio Vivaldi (review)

pp. 604-606
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DOI: 10.1353/not.2007.0011
Laura Demuth
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Boccherini's Body: An Essay in Carnal Musicology (review)

pp. 606-608
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DOI: 10.1353/not.2007.0036
Mara Parker
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Nineteenth-Century Studies

Perspectives on Gustav Mahler (review)

pp. 608-610
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DOI: 10.1353/not.2007.0047
Brien Weiner
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The Mahler Family Letters (review)

pp. 611-613
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DOI: 10.1353/not.2007.0046
Mary H. Wagner
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Wagner and Wagnerism in Nineteenth-Century Sweden, Finland, and the Baltic Provinces: Reception, Enthusiasm, Cult (review)

pp. 613-615
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DOI: 10.1353/not.2007.0023
Luke Benjamin Howard
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Twentieth-Century Studies

Chou Wen-Chung: The Life and Work of a Contemporary Chinese-Born American Composer (review)

pp. 615-617
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DOI: 10.1353/not.2007.0012
Yayoi Uno Everett
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The Selected Correspondence of Aaron Copland (review)

pp. 617-619
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DOI: 10.1353/not.2007.0045
G. Dale Vargason
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Women Composers and Music Technology in the United States: Crossing the Line (review)

pp. 619-622
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DOI: 10.1353/not.2007.0032
Renée McBride
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Prokofiev's Ballets for Diaghilev (review)

pp. 622-624
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DOI: 10.1353/not.2007.0019
Olga Haldey
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A Soviet Credo: Shostakovich's Fourth Symphony (review)

pp. 624-627
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DOI: 10.1353/not.2007.0039
Peter J. Schmelz
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Film Music

Changing Tunes: The Use of Pre-Existing Music in Film (review)

pp. 627-629
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DOI: 10.1353/not.2007.0028
Kendra Preston Leonard
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Jazz Studies

Jazz Consciousness: Music, Race, and Humanity (review)

pp. 629-632
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DOI: 10.1353/not.2007.0006
Mark Burford
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The Dark Tree: Jazz and the Community Arts in Los Angeles (review)

pp. 632-634
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DOI: 10.1353/not.2007.0010
Raleigh Dailey
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Some Hustling This! Taking Jazz to the World, 1914-1929 (review)

pp. 634-637
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DOI: 10.1353/not.2007.0029
S. Timothy Maloney
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Chasin' the Bird: The Life and Times of Charlie Parker (review)

pp. 637-638
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DOI: 10.1353/not.2007.0007
Anna Harwell Celenza
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Books Recently Published
Complied by Julia Graepel and Karen R. Little

Books Recently Published

pp. 639-654
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DOI: 10.1353/not.2007.0017
Julia Graepel, Karen R. Little
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New Periodicals

New Periodicals

pp. 655-662
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DOI: 10.1353/not.2007.0031
Erin Mayhood
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Digital Media Reviews
Edited by Paul Cary

Sheet Music Consortium (review)

pp. 663-667
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DOI: 10.1353/not.2007.0038
Laurie J. Sampsel
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Video Reviews

Hans Heiling, and: Tristan und Isolde (review)

pp. 668-671
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DOI: 10.1353/not.2007.0035
Eftychia Papanikolaou
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Complete Symphonies (review)

pp. 671-672
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DOI: 10.1353/not.2007.0024
Eric Hing-Tao Hung
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Der Graf von Luxemburg, and: Die Gezeichneten (review)

pp. 672-673
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DOI: 10.1353/not.2007.0022
John Holland
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The Rake's Progress (review)

pp. 673-674
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DOI: 10.1353/not.2007.0020
Rob Haskins
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Moog (review)

pp. 674-675
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DOI: 10.1353/not.2007.0041
Travis D. Stimeling
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György Kurtág--The Matchstick Man and Peter Eötvös--The Seventh Door (review)

pp. 675-676
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DOI: 10.1353/not.2007.0018
S. Andrew Granade
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Music From the Inside Out (review)

p. 677
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DOI: 10.1353/not.2007.0048
Steve York
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Manuel Barrueco: A Gift and A Life, and: Aaron Shearer: A Life with the Guitar (review)

pp. 677-679
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DOI: 10.1353/not.2007.0051
Randall Zwally
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Broadway: The American Musical (review)

p. 679
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DOI: 10.1353/not.2007.0016
Anna Wheeler Gentry
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Legends of Jazz with Ramsey Lewis, Season One, Vol. One, and: Legends of Jazz with Ramsey Lewis, Season One, Vol. Two, and: Legends of Jazz with Ramsey Lewis, Showcase (review)

pp. 680-681
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DOI: 10.1353/not.2007.0025
Robert Iannapollo
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Swinging Bach: Bobby McFerrin and Guests (review)

pp. 681-682
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DOI: 10.1353/not.2007.0013
Jim Farrington
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New York Doll (review)

pp. 682-684
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DOI: 10.1353/not.2007.0015
Tara Freeman
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Made in Sheffield: The Birth of Electronic Pop (review)

pp. 684-685
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DOI: 10.1353/not.2007.0026
Robert Iannapollo
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Africa Live: The Roll Back Malaria Concert (review)

pp. 685-687
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DOI: 10.1353/not.2007.0001
Michael Ashenfelder
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Music Reviews

Cantiones sacrae 1625: Lateinische Motetten für vier Stimmen und Basso continuo, and: Symphoniae sacrae III (1650): Die Konzerte zu sieben Stimmen (Nr. 15-21) (review)

pp. 688-690
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DOI: 10.1353/not.2007.0014
Alexander J. Fisher
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Johannespassion: Passio secundum Joannem, Fassung II (1725), BWV 245/BC D 2b, and: Johannespassion: Passio secundum Joannem, Fassung IV (1749) BWV 245/BC D 2d, and: Matthäus-Passion: Frühfassung, BWV 244b, and: Lateinische Kirchenmusik, Passionen: Werke zweifelhafter Echtheit Bearbeitungen fremder Kompositionen, and: Passio secundum Marcum: Markuspassion, and: Markus-Passion: BWV 247, and: Messe in h-Moll, fü̈r Soli, Chor und Orchester, BWV 232, and: Frühfassungen zur h-Moll-Messe (review)

pp. 690-697
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DOI: 10.1353/not.2007.0005
Daniel F. Boomhower
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Symphony in G Minor, and: Symphonies, and: Sonatas for Violin and Pianoforte (review)

pp. 697-701
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DOI: 10.1353/not.2007.0003
Christina Bashford
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Symphonie Nr. 5 in fünf Sä̈tzen für grosses Orchester (review)

pp. 701-705
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DOI: 10.1353/not.2007.0030
Katarina Marković-Stokes
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Music Received
Complied by David Knapp

Music Received

pp. 706-715
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DOI: 10.1353/not.2007.0027
David Knapp
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Music Publishers' Catalogs
Complied by George R. Hill

Music Publishers' Catalogs

pp. 716-721
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DOI: 10.1353/not.2007.0021
George Robert Hill
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Communications

Communications

pp. 722-726
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DOI: 10.1353/not.2007.0008
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