1. The Soviet cinematic offensive in the Spanish Civil War
  2. Daniel Kowalsky
  3. pp. 7-19
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  1. Family history, film history: Dad & the Telenews Theatre Corporation
  2. Michael Aronson, Jennifer Aronson, Nathan N. Aronson
  3. pp. 20-33
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  1. An experiment in 'historically correct' Canadian photoplays: Montreal's British American Film Manufacturing Co.
  2. Louis Pelletier
  3. pp. 34-48
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  1. Myth and movie making: Karl Brown and the making of Stark Love
  2. John White
  3. pp. 49-57
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  1. Constructing a priest, silencing a saint: The PCA and I Confess (1953)
  2. Amy Lawrence
  3. pp. 58-72
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  1. Acting with feeling: Robert Donat, the 'Emotion Chart' and The Citadel (1938)
  2. Vicky Lowe
  3. pp. 73-85
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  1. Dualling for Judy: The concept of the double in the films of Kim Novak
  2. Vincent L. Barnett
  3. pp. 86-101
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  1. Introduction: Chasing Reality
  2. Richard Koszarski
  3. pp. 3-4
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