1. Forgotten faces: why some of our cinema heritage is part of the public domain
  2. David Pierce
  3. pp. 125-143
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  1. Documentary filmmakers’ statement of Best Practices in Fair Use
  2. John Belton
  3. pp. 144-145
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  1. Imitation of Life in a segregated Atlanta: its promotion, distribution and reception
  2. Matthew Bernstein, Dana F. White
  3. pp. 152-178
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  1. Notes on the split-field diopter
  2. Paul Ramaeker
  3. pp. 179-198
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  1. Docufictions: an interview with Martin Scorsese on documentary film
  2. Raffaele Donato, Martin Scorsese
  3. pp. 199-207
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  1. Introduction: Film and Copyright
  2. John Belton
  3. pp. 107-108
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  1. Copyright dupes: piracy and new media in Edison v. Lubin (1903)
  2. Peter Decherney
  3. pp. 109-124
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