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University of Virginia Press

University of Virginia Press

Website: www.upress.virginia.edu

University of Virginia Press is a scholarly, non-profit publisher of books and digital editions. The Press's editorial program focuses primarily on the humanities and social sciences, with concentrations in American history; African American studies; Southern studies; political science; literary and cultural studies; Victorian studies; religious studies; architecture and landscape studies; environmental studies; and books about the region. The Press was founded in 1963 as the University Press of Virginia. In 2002 the name was changed to University of Virginia Press.


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University of Virginia Press

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Creating the British Atlantic Cover

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Creating the British Atlantic

Essays on Transplantation, Adaptation, and Continuity

Jack P. Greene

Set mostly within an expansive British imperial and transatlantic framework, this new selection of writings from the renowned historian Jack P. Greene draws on themes he has been developing throughout his distinguished career. In these essays Greene explores the efforts to impose Old World institutions, identities, and values upon the New World societies being created during the colonization process. He shows how transplanted Old World components—political, legal, and social—were adapted to meet the demands of new, economically viable, expansive cultural hearths. Greene argues that these transplantations and adaptations were of fundamental importance in the formation and evolution of the new American republic and the society it represented.

The scope of this work allows Greene to consider in depth numerous subjects, including the dynamics of colonization, the development and character of provincial identities, the relationship between new settler societies in America and the emerging British Empire, and the role of cultural power in social and political formation.

Crime and Culture in Early Modern Germany Cover

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Crime and Culture in Early Modern Germany

Joy Wiltenburg

With the growth of printing in early modern Germany, crime quickly became a subject of wide public discourse. Sensational crime reports, often featuring multiple murders within families, proliferated as authors probed horrific events for religious meaning. Coinciding with heightened witch panics and economic crisis, the spike in crime fears revealed a continuum between fears of the occult and more mundane dangers.

In Crime and Culture in Early Modern Germany, Joy Wiltenburg explores the beginnings of crime sensationalism from the early sixteenth century into the seventeenth century and beyond. Comparing the depictions of crime in popular publications with those in archival records, legal discourse, and imaginative literature, Wiltenburg highlights key social anxieties and analyzes how crime texts worked to shape public perceptions and mentalities. Reports regularly featured familial destruction, flawed economic relations, and the apocalyptic thinking of Protestant clergy. Wiltenburg examines how such literature expressed and shaped cultural attitudes while at the same time reinforcing governmental authority. She also shows how the emotional inflections of crime stories influenced the growth of early modern public discourse, so often conceived in terms of rational exchange of ideas.

Criminal Injustice Cover

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Criminal Injustice

Slaves and Free Blacks in Georgia's Criminal Justice System

Glenn McNair

Criminal Injustice: Slaves and Free Blacks in Georgia’s Criminal Justice System is the most comprehensive study of the criminal justice system of a slave state to date. McNair traces the evolution of Georgia’s legal culture by examining its use of slave codes and slave patrols, as well as presenting data on crimes prosecuted, trial procedures and practices, conviction rates, the appellate process, and punishment.

Crossing the Boundaries of Belief Cover

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Crossing the Boundaries of Belief

Geographies of Religious Conversion in Southern Germany, 1648-1800

Duane J. Corpis

In early modern Germany, religious conversion was a profoundly social and political phenomenon rather than purely an act of private conscience. Because social norms and legal requirements demanded that every subject declare membership in one of the state-sanctioned Christian churches, the act of religious conversion regularly tested the geographical and political boundaries separating Catholics and Protestants. In a period when church and state cooperated to impose religious conformity, regulate confessional difference, and promote moral and social order, the choice to convert was seen as a disruptive act of disobedience. Investigating the tensions inherent in the creation of religious communities and the fashioning of religious identities in Germany after the Thirty Years' War, Duane Corpis examines the complex social interactions, political implications, and cultural meanings of conversion in this moment of German history.

In Crossing the Boundaries of Belief, Corpis assesses how conversion destabilized the rigid political, social, and cultural boundaries that separated one Christian faith from another and that normally tied individuals to their local communities of belief. Those who changed their faiths directly challenged the efforts of ecclesiastical and secular authorities to use religious orthodoxy as a tool of social discipline and control. In its examination of religious conversion, this study thus offers a unique opportunity to explore how women and men questioned and redefined their relationships to local institutions of power and authority, including the parish clergy, the city government, and the family.

Crucible of the Civil War Cover

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Crucible of the Civil War

Virginia from Secession to Commemoration

edited by Edward L. Ayers, Gary W. Gallagher, and Andrew J. Torget

Crucible of the Civil War offers an illuminating portrait of the state’s wartime economic, political, and social institutions. Weighing in on contentious issues within established scholarship while also breaking ground in areas long neglected by scholars, the contributors examine such concerns as the war’s effect on slavery in the state, the wartime intersection of race and religion, and the development of Confederate social networks. They also shed light on topics long disputed by historians, such as Virginia’s decision to secede from the Union, the development of Confederate nationalism, and how Virginians chose to remember the war after its close.

Cuba and the Fall Cover

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Cuba and the Fall

Christian Text and Queer Narrative in the Fiction of José Lezama Lima and Reinaldo Arenas

The queer presence that animates and informs the fiction of José Lezama Lima and Reinaldo Arenas, two of the most prominent Cuban writers since the Revolution, nonetheless haunts their work by its absence. Eduardo González draws on the Christian concept of the Fall from grace and the possibility of redemption, on the work of selected Western canonical authors, and on several contemporary films to show how the chosen texts by the two writers both replicate and are enhanced by these sources and illustrate the interplay of word, image, and belief in the story line and moral tale that González develops.

Culture and Liberty in the Age of the American Revolution Cover

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Culture and Liberty in the Age of the American Revolution

In his new book, Michal Jan Rozbicki undertakes to bridge the gap between the political and the cultural histories of the American Revolution. Through a careful examination of liberty as both the ideological axis and the central metaphor of the age, he is able to offer a fresh model for interpreting the Revolution. By establishing systemic linkages between the histories of the free and the unfree, and between the factual and the symbolic, this framework points to a fundamental reassessment of the ways we think about the American Founding.

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Dancing with Disaster

Environmental Histories, Narratives, and Ethics for Perilous Times

Kate Rigby

The calamitous impacts of climate change that are beginning to be felt around the world today expose the inextricability of human and natural histories. Arguing for a more complex account of such calamities, Kate Rigby examines a variety of past disasters, from the Black Death of the Middle Ages to the mega-hurricanes of the twenty-first century, revealing the dynamic interaction of diverse human and nonhuman factors in their causation, unfolding, and aftermath.

Focusing on the link between the ways disasters are framed by the stories told about them and how people tend to respond to them in practice, Rigby also shows how works of narrative fiction invite ethical reflection on human relations with one another, with our often unruly earthly environs, and with other species in the face of eco-catastrophe. In its investigation of an array of authors from the Romantic period to the present—including Heinrich von Kleist, Mary Shelley, Theodor Storm, Colin Thiele, and Alexis Wright— Dancing with Disaster demonstrates the importance of the environmental humanities in the development of more creative, compassionate, ecologically oriented, and socially just responses to the perils and possibilities of the Anthropocene.

Under the Sign of Nature: Explorations in Ecocriticism

A Deed So Accursed Cover

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A Deed So Accursed

Lynching in Mississippi and South Carolina, 1881–1940

Terence Finnegan

From the end of Reconstruction to the onset of the civil rights era, lynching was prevalent in developing and frontier regions that had a dynamic and fluid African American population. Focusing on Mississippi and South Carolina because of the high proportion of African Americans in each state during "the age of lynching," Terence Finnegan explains lynching as a consequence of the revolution in social relations—assertiveness, competition, and tension—that resulted from emancipation. A comprehensive study of lynching in Mississippi and South Carolina, A Deed So Accursed reveals the economic and social circumstances that spawned lynching and explores the interplay between extralegal violence and political and civil rights.

Finnegan's research shows that lynching rates depended on factors other than caste conflict and the interaction of race and southern notions of honor. Although lynching supported the ends of white supremacy, many mobs lynched more for private retaliation than for communal motives, which explains why mobs varied greatly in size, organization, behavior, and purpose.

The resistance of African Americans was vigorous and sustained and took on a variety of forms, but depending on the circumstances, black resistance could sometimes provoke rather than deter lynching. Ultimately, Finnegan shows how out of the tragedy of lynching came the triumph of the civil rights movement, which was built upon the organizational efforts of African American anti-lynching campaigns.

Designing Dixie Cover

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Designing Dixie

Tourism, Memory, and Urban Space in the New South

Reiko Hillyer

Although many white southerners chose to memorialize the Lost Cause in the aftermath of the Civil War, boosters, entrepreneurs, and architects in southern cities believed that economic development, rather than nostalgia, would foster reconciliation between North and South. In Designing Dixie, Reiko Hillyer shows how these boosters crafted distinctive local pasts designed to promote their economic futures and to attract northern tourists and investors.

Neither romanticizing the Old South nor appealing to Lost Cause ideology, promoters of New South industrialization used urban design to construct particular relationships to each city’s southern, slaveholding, and Confederate pasts. Drawing on the approaches of cultural history, landscape studies, and the history of memory, Hillyer shows how the southern tourist destinations of St. Augustine, Richmond, and Atlanta deployed historical imagery to attract northern investment. St. Augustine’s Spanish Renaissance Revival resorts muted the town’s Confederate past and linked northern investment in the city to the tradition of imperial expansion. Richmond boasted its colonial and Revolutionary heritage, depicting its industrial development as an outgrowth of national destiny. Atlanta’s use of northern architectural language displaced the southern identity of the city and substituted a narrative of long-standing allegiance to a modern industrial order. With its emphases on alternative southern pasts, architectural design, tourism, and political economy, Designing Dixie significantly revises our understandings of both southern historical memory and post–Civil War sectional reconciliation.

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