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Frontier Bon Vivant
Each day thousands of revelers trudge down DuVal Street in Florida’s Key West, but few know for whom the street is named. In Florida Founder William P. DuVal, James M. Denham provides the first full-length biography of the well-connected, but nearly forgotten frontier politician of antebellum America. The scion of a well-to-do Richmond, Virginia, family, William Pope DuVal (1784–1854) migrated to the Kentucky frontier as a youth in 1800. Settling in Bardstown, DuVal read law, served in Congress, and fought in the War of 1812. In 1822, largely because of the influence of his lifelong friend John C. Calhoun, President James Monroe appointed DuVal the first civil governor of the newly acquired Territory of Florida. Enjoying successive appointments from the Adams and Jackson administrations, DuVal founded Tallahassee and presided over the territory’s first twelve territorial legislative sessions, years that witnessed Middle Florida’s development into one of the Old Southwest’s most prosperous slave-based economies. Beginning with his personal confrontation with Miccosukee chief Neamathla in 1824 (an episode commemorated by Washington Irving), DuVal worked closely with Washington officials and oversaw the initial negotiations with the Seminoles. A perennial political appointee, DuVal was closely linked to national and territorial politics in antebellum America. Like other “Calhounites” who supported Andrew Jackson’s rise to the White House, DuVal became a casualty of the Peggy Eaton Affair and the Nullification Crisis. In fact he was replaced as Florida governor by Mrs. Eaton’s husband, John Eaton. After leaving the governor’s chair, DuVal migrated to Kentucky, lent his efforts to the cause of Texas Independence, and eventually returned to practice law and local politics in Florida. Throughout his career DuVal cultivated the arts of oratory and story-telling—skills essential to success in the courtrooms and free-for-all politics of the American South. Part frontiersman and part sophisticate, DuVal was at home in the wilds of Kentucky, Florida, Texas, and Washington City. He delighted in telling tall tales, jests, and anecdotes that epitomized America’s expansive, democratic vistas. Among those captivated by DuVal’s life and yarns were Washington Irving, who used DuVal’s tall tales as inspiration for his “The Early Experiences of Ralph Ringwood,” and James Kirke Paulding, whose “Nimrod Wildfire” shared Du Val’s brashness and bonhommie.
Portraits and Interviews
In 1989 Susan Johann was hired to photograph Christopher Durang for a magazine article about his play Naomi in Her Living Room. The playwright was known for his outrageous comedy, so Johann anticipated a session with a rather wild, young eccentric. To her surprise, the man who came to her studio was mild mannered and buttoned down. Johann found this twist captivating, and it was then that this project was born. Over the ensuing twenty-year period, she photographed more than ninety playwrights, including many winners of the Pulitzer Prize and other prestigious awards. Johann photographed Wendy Wasserstein, Anna Deavere Smith, August Wilson, and Nilo Cruz in the weeks after they won the Pulitzer. Tony Kushner sat for his portrait between the productions of part 1 and part 2 of Angels in America. Eve Ensler came to Johann’s studio during the week she was previewing her famous one-woman show, The Vagina Monologues, and George C. Wolfe sat for her the morning after his play Spunk opened at the Public Theater. Each playwright was photographed in Johann’s studio using the same film, a single light, and a plain backdrop, creating a portrait that captures and distills something essential—an intimate view. Her interviews explore the writers’ personal and creative journeys including their inspirations, roadblocks, and obsessions, which influenced their work on paper and on the stage. Even those who know Edward Albee’s plays intimately, for example, may be surprised by his incisive wit and inimitable voice as revealed in his interview with Johann. Beyond the book, Focus on Playwrights is also a live, multimedia presentation in which Johann narrates an inside look at creativity—the theater and photography. It has been given at such venues as the New Dramatists in New York, the Eugene O’Neill Theater, the Tryon Fine Arts Center and at the Photo Expo in New York.
Poetry and Prose Inspired by the South Caroliniana Library Digital Collections
Found Anew is an anthology of new poetry and prose from writers with strong ties to the Palmetto State that creatively engages with historical photographs found in the digital collections of the University of South Carolina's South Caroliniana Library. In their eclectic approach to ekphrasis—textual response to the visual—editors R. Mac Jones and Ray McManus have recruited an impressive group of poets and fiction writers, including National Book Award-winning poets Terrance Hayes and Nikky Finney (who provides the foreword); their fellow South Carolina Academy of Authors honorees Gilbert Allen, John Lane, Bret Lott, George Singleton, and Marjory Wentworth; Lillian Smith Award-winner Pam Durban, and others.
A Memoir of Travel
"I fly to faraway places in the hopes of finding the distinguishing thing. The frequent flier miles are a bonus." With a title borrowed from Samuel Johnson, insatiable globe-trotter Russell Fraser fondly recalls his travels in China, Peru, Italy, France, Russia, Scotland, the Persian Gulf, and the Antarctic in this series of meditations on the distinguishing elements of culture and history found in far-flung locales. Fraser establishes himself as a knowledgeable guide who combines an intimate familiarity with local history, a keen eye for culture, a companionable wit, and a penchant for speculation about the grip of the past on the present. Fraser's fascination with people leads him to banter and at times to argue with locals in his quest to discern the peculiarities of a given place, be it a communist training school near Milan or the best bar in St. Petersburg. His grand appreciation for discoveries that can be made only through travel is apparent in every poetically phrased description and artfully reconstructed dialogue. Fraser begins each essay with an autobiographical passage before turning to the place and moment at hand. This technique establishes camaraderie with our learned, informative, and entertaining guide as we walk deserts and frozen plains, Old World neighborhoods and Far Eastern danger zones, the lobbies of plush new hotels and the aisles of centuries-old cathedrals. In his ruminations, Fraser circles strategically between personal and global pasts—traveling in time as well as space—to put our modernity in perspective and to ponder facets of human experience found amid the regions he describes so vividly. The heart of Fraser's memoir is a two-chapter sequence devoted to meandering through his ancestral homeland of Scotland, a narrative that ably couples family history and travelogue. In the concluding essay, the author's adventure in Antarctica parallels a trip taken decades earlier by his great-grandfather Alexander V. Fraser, the first commander of the U.S. Coast Guard, and again he deftly juxtaposes the personal with the global and the past with the present. As Fraser advocates for the existence and importance of timeless truths about all corners of the world, he makes even the roughest of environments seem intriguingly beautiful with crystal clear prose evocative of the times and places through which he moves. His tales are peppered with the anecdotes, asides, and well-chosen quotations of a traveler steeped in knowledge of the world's history and its literature. A veteran of these escapades, Fraser uses his experience to hone his observations into a special brand of truth that comes from one who is equally adept at wandering the world and sharing authentic accounts of those sensational travels. From China to Peru is a welcoming invitation to traverse the globe, if only through the insightful memories of one well-versed in such passages.
The Artistic Journey of Eugene Thomason
A product of the industrialized New South, Eugene Healan Thomason (1895–1972) made the obligatory pilgrimage to New York to advance his art education and launch his career. Like so many other aspiring American artists, he understood that the city offered unparalleled personal and professional opportunities—prestigious schools, groundbreaking teachers, and an intoxicating cosmopolitan milieu—for a promising young painter in the early 1920s. The patronage of one of the nation's most powerful tycoons afforded him entrance to the renowned Art Students League, where he fell under the influence of the leading members of the Ashcan School, including Robert Henri, John Sloan, and George Luks. In all Thomason spent a decade in the city, adopting—and eventually adapting—the Ashcan movement's gritty realistic aesthetic into a distinctive regionalist style that used thick paint and simple subject matter. Eugene Thomason returned to the South in the early 1930s, living first in Charlotte, North Carolina, before settling in a small Appalachian crossroads called Nebo. For the next thirty-plus years, he mined the rural landscape's rolling terrain and area residents for inspiration, finding there an abundance of colorful imagery more evocative—and more personally resonant—than the urbanism of New York. Painting at the same time as such well-known Regionalists as Thomas Hart Benton and Grant Wood, Eugene Thomason embraced and convincingly portrayed his own region, becoming the visual spokesman for that place and its people.
Perspectives on a Contested History
Through a collection of essays, Fundamentalism: Perspectives on a Contested History explores the ways in which the concept of global fundamentalism does and does not illuminate developments in modern Christianity, Judaism, and Islam. At issue is whether, beyond the specific milieu of American Protestantism in the early decades of the twentieth century, the word ‘fundamentalism’ captures something important on a global scale that is not captured—or not as well—by other words. Readers will quickly discover that in exploring this issue the book is “at war with itself.” In Fundamentalism Simon A. Wood and David Harrington Watt have deliberately assembled a range of voices that is reflective of the broad spectrum of views scholars have offered on the topic, from those who find the concept not merely helpful but also important, those who have concerns about it but do not reject it, those who find that it has been misapplied in critical instances, and those who simply find it unhelpful and lacking in any meaningful specificity or content. While there are more than two perspectives presented, Wood and Watt identify two very broad groups of scholars from each end of the spectrum: those who find the concept illuminating and those who do not. The book does not privilege or advocate either of these positions, nor does it attempt to resolve the numerous problems that scholars on both sides of the debate have identified with the concept of global fundamentalism. Rather, it presents some of the key arguments on both sides of the contemporary debate. If it thereby provides readers with a sense of the current state of the discourse on fundamentalism it will have achieved its aim.
The Siege of Charleston, 1780
In 1779 Sir Henry Clinton and more than eight thousand British troops left the waters of New York, seeking to capture the colonies’ most important southern port, Charleston, South Carolina. Clinton and his officers believed that victory in Charleston would change both the seat of the war and its character. In this comprehensive study of the 1780 siege and surrender of Charleston, Carl P. Borick offers a full examination of the strategic and tactical elements of Clinton’s operations. Suggesting that the importance of the siege has been underestimated, Borick contends that the British effort against Charleston was one of the most critical campaigns of the war. Borick examines the reasons for the shift in British strategy, the efforts of their army and navy, and the difficulties the patriots faced as they defended the city. He explores the roles of key figures in the campaign, including Benjamin Lincoln, William Moultrie, and Lord Charles Cornwallis. Borick relies on an impressive array of primary and secondary sources relating to the siege and includes maps that depict the British approach to the city and the complicated military operations that led to the patriots’ greatest defeat of the American Revolution.
Prior to the arrival of Europeans in the New World, Native Americans across the continent had developed richly complex attitudes and forms of expression concerning gender and sexual roles. The role of the "berdache," a man living as a woman or a woman living as a man in native societies, has received recent scholarly attention but represents just one of many such occurrences of alternative gender identification in these cultures. Editors Sandra Slater and Fay A. Yarbrough have brought together scholars who explore the historical implications of these variations in the meanings of gender, sexuality, and marriage among indigenous communities in North America. Essays that span from the colonial period through the nineteenth century illustrate how these aspects of Native American life were altered through interactions with Europeans. Organized chronologically, Gender and Sexuality in Indigenous North America, 1400–1850 probes gender identification, labor roles, and political authority within Native American societies. The essays are linked by overarching examinations of how Europeans manipulated native ideas about gender for their own ends and how indigenous people responded to European attempts to impose gendered cultural practices at odds with established traditions. Representing groundbreaking scholarship in the field of Native American studies, these insightful discussions of gender, sexuality, and identity advance our understanding of cultural traditions and clashes that continue to resonate in native communities today as well as in the larger societies those communities exist within.
Once deemed "the most powerful man in the South," Charleston newspaper editor Frank Dawson met his violent death on March 12, 1889, at the hands of his neighbor, a disreputable doctor who was attempting to seduce the Dawson family governess. Drawn from events surrounding this infamous episode, the third novel from the Lillian Smith Award-winning William Baldwin pulls back the veil of a genteel society in a fabled southern city and exposes a dark visage of anger and secret pain that no amount of imposed manners could restrain, and only love might eventually heal. With a southern storyteller's passion for intricate emotional and physical details, Baldwin, through the fictional guise of Capt. David Lawton, chronicles editor Dawson's fated end. Having survived three years of bloody Civil War combat and the decade of violent Reconstruction that followed, the liberal-minded Lawton is now an embattled newspaperman whose national importance is on the wane. Still, he remains a celebrated member of Charleston's elite, while in private life moving amid a pantheon of proud and beautiful women—Sarah, his brilliant wife; Abbie, his sensual sister-in-law; Mary, the all-knowing prostitute; and Hélène, the discontented Swiss governess—each contributing to an unfolding drama of history-haunted turmoil. Though Lawton loathes the South's cult of personal violence, by the customs of his era and place he is duty-bound to protect his household. Unable to act otherwise, Lawton meets his rival in a brutal physical contest, and in the aftermath, Sarah, Abbie, Mary, and Hélène must make peace with their own turbulent pasts. War, earthquake, political guile, adultery, illegitimacy, lust, and murder—all the devices of gothic romance—play a role in this tale closely based on the lives of Charlestonians who lived these events over a century ago.
Rhetorical Education in Antiquity
Genuine Teachers of This Art examines the technê, or "handbook," tradition—which it controversially suggests began with Isocrates—as the central tradition in ancient rhetoric and a potential model for contemporary rhetoric. From this innovative perspective, Jeffrey Walker offers reconsiderations of rhetorical theories and schoolroom practices from early to late antiquity as the true aim of the philosophical rhetoric of Isocrates and as the distinctive expression of what Cicero called "the genuine teachers of this art." Through a study of the classical rhetorical paideia, or training system, Walker makes a case for considering rhetoric not as an Aristotelian critical-theoretical discipline, but as an Isocratean pedagogical discipline in which the art of rhetoric is neither an art of producing critical theory nor even an art of producing speeches and texts, but an art of producing speakers and writers. Walker grounds his study in pedagogical theses mined from revealing against-the-grain readings of Cicero, Isocrates, and Dionysius of Halicarnassus. Walker also locates supporting examples from a host of other sources, including Aelius Theon, Aphthonius, the Rhetoric to Alexander, the Rhetoric to Herennius, Quintilian, Hermogenes, Hermagoras, Lucian, Libanius, Apsines, the Anonymous Seguerianus, and fragments of ancient student writing preserved in papyri. Walker's epilogue considers the relevance of the ancient technê tradition for the modern discipline of rhetoric, arguing that rhetoric is defined foremost by its pedagogical enterprise, the project of producing rhetors capable of intelligent, effective, and useful civic engagement through speech and writing. This groundbreaking vision of the technê tradition significantly revises the standard picture of the ancient history of rhetoric with ramifications for the contemporary disciplinary identity of rhetoric itself.