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The Autobiography of Alice Salomon
In her autobiography, the remarkable feminist and social worker Alice Salomon recounts her transition in the 1890s from privileged idleness to energetic engagement in solving social problems. Salomon took the lead in establishing the profession of social work, and built a career as a social reformer, activist, and educator. A prolific author, Salomon also played a key role in the transatlantic dialogue between German and American feminists in the early twentieth century. Her narrative concludes with the account of her expulsion from Germany by the Nazis in 1937. Salomon's formative influence on the field of social work makes her story crucial for the history of the discipline. This work will also appeal to anyone with an interest in the history of the feminist and socialist movements or the political and social history of twentieth-century Germany. The volume also includes several of Salomon's essays on social work and women's issues, along with photographs of Salomon, her students, and her colleagues. Andrew Lees is Professor and Chair of the History Department at Rutgers University, Camden.
The Silent Traveller from the East -- A Cultural Biography
This is the true story of Chiang Yee, a renowned writer, artist, and worldwide traveler, best known for the Silent Traveller seriesùstories of England, the United States, Ireland, France, Japan, and Australiaùall written in his humorous, delightfully refreshing, and enlightening literary style. This biography is more than a recounting of extraordinary accomplishments. Da Zheng uncovers Yee's encounters with racial exclusion and immigration laws, displacement, exile, and the pain and losses he endured hidden behind a popular public image.
Critical and Ethnographic Practices
The Chicana/o Cultural Studies Forum brings together a diverse group of scholars whose work spans the interdisciplinary fields of Chicana/o studies and cultural studies. Editor Angie Chabram-Dernersesian provides an overview of current debates, locating Chicana/o cultural criticism at the intersections of these fields. She then acts as moderator of a virtual roundtable of critics, including Frances Aparicio, Lisa Lowe, George Lipsitz, Wahneema Lubiano, Renato Rosaldo, José David Saldívar, and Sonia Saldívar-Hull.
This highly collaborative and deeply interdisciplinary project addresses the questions: What is the relationship between Chicana/o studies and cultural studies? How do we do cultural studies from within Chicana/o cultural studies? How do Chicana/o cultural studies formations (hemispheric, borderland, and feminist) intermingle? The lively conversations documented here attest to the vitality and spirit of Chicana/o cultural studies today and track the movements between disciplines that share an interest in the study of culture, power relations, identity, and representation.
This book offers a unique resource for understanding not just the development of Chicana/o cultural studies, but how new social movements and epistemologies travel and affiliate with progressive forms of social inquiry in the global era.
Narratives of a Movement from Latino Chicago
Overflowing with powerful testimonies of six female community activists who have lived and worked in the Pilsen neighborhood of Chicago, Chicanas of 18th Street reveals the convictions and approaches of those organizing for social reform. In chronicling a pivotal moment in the history of community activism in Chicago, the women discuss how education, immigration, religion, identity, and acculturation affected the Chicano movement. Chicanas of 18th Street underscores the hierarchies of race, gender, and class while stressing the interplay of individual and collective values in the development of community reform._x000B__x000B_Highlighting the women's motivations, initiatives, and experiences in politics during the 1960s and 1970s, these rich personal accounts reveal the complexity of the Chicano movement, conflicts within the movement, and the importance of teatro and cultural expressions to the movement. Also detailed are vital interactions between members of the Chicano movement with leftist and nationalist community members and the influence of other activist groups such as African Americans and Marxists.
Gender and Violence in the Postindustrial Barrio
Powered by a driving beat, clever lyrics, and assertive attitudes, rap music and hip hop culture have engrossed American youth since the mid-1980s. Although the first rappers were African Americans, rap and hip hop culture quickly spread to other ethnic groups who have added their own cultural elements to the music. Chicano Rap offers the first in-depth look at how Chicano/a youth have adopted and adapted rap music and hip hop culture to express their views on gender and violence, as well as on how Chicano/a youth fit into a globalizing world. Pancho McFarland examines over five hundred songs and seventy rap artists from all the major Chicano rap regions—San Diego, San Francisco and Northern California, Texas, and Chicago and the Midwest. He discusses the cultural, political, historical, and economic contexts in which Chicano rap has emerged and how these have shaped the violence and misogyny often expressed in Chicano rap and hip hop. In particular, he argues that the misogyny and violence of Chicano rap are direct outcomes of the “patriarchal dominance paradigm” that governs human relations in the United States. McFarland also explains how globalization, economic restructuring, and the conservative shift in national politics have affected Chicano/a youth and Chicano rap. He concludes with a look at how Xicana feminists, some Chicano rappers, and other cultural workers are striving to reach Chicano/a youth with a democratic, peaceful, empowering, and liberating message.
Growing Up Chinese American in San Francisco, 1850-1920
Wendy Jorae challenges long-held notions of early Chinatown as a bachelor community by showing that families--and particularly children--played important roles in its daily life. She explores the wide-ranging images of Chinatown's youth created by competing interests with their own agendas--from anti-immigrant depictions of Chinese children as filthy and culturally inferior to exotic and Orientalized images that catered to the tourist's ideal of Chinatown. All of these representations, Jorae notes, tended to further isolate Chinatown at a time when American-born Chinese children were attempting to define themselves as Chinese American. Facing barriers of immigration exclusion, cultural dislocation, child labor, segregated schooling, crime, and violence, Chinese American children attempted to build a world for themselves on the margins of two cultures. Their story is part of the larger American story of the struggle to overcome racism and realize the ideal of equality.
Assia Djebar portrays Algeria’s protracted anti-colonial struggle against France through the interlocking lives of men and women in an Algerian mountain town. Written in 1961, one year before Algerian independence, the novel depicts the ways the war transforms the women’s lives and draws them from the private world of the home into the public world of revolution, fighting for their community’s liberation. The book describes a determined Arab insurgency against foreign occupation from the inside out.
Cross-Strait Relations Under Chen Shui-bian
In Taiwan's 18 March 2000 presidential election, the Kuomintang (KMT) government was defeated, for the first time after fifty-five years in power, by the pro-independence Democratic Progressive Party (DPP). Chen Shui-bian's election victory has significantly changed and further complicated the political and strategic scenarios across the Taiwan Strait. This book is the first major study to investigate what led to this change, how it has affected cross-strait relations and how China will deal with the new government in Taiwan. The author also provides a detailed reading of U.S. military, economic and political involvement in the region and its strategy for Asia and China. Indications of strategic change under the Bush Administration and the possible impact of 11 September on U.S.-China relations are also examined.
Race, Sex, and Cinema
The Chinese Diaspora on American Screens looks at the way in which issues of race and sexuality have become central concerns in cinema generated by and about Chinese communities in America after the mid-1990s. This companion volume to Marchetti's From Tian'anmen to Times Square looks specifically at the Chinese diaspora in relation to ethnic, racial, gender, and sexual identity as depicted in the cinema.
Examining films from the United States and Canada, as well as transnational co-productions, The Chinese Diaspora on American Screens includes analyses of films such as The Wedding Banquet and Double Happiness in addition to interviews with celebrated filmmakers such as Wayne Wang.
Marchetti also reflects on how Chinese identity is presented in a multitude of media forms, including commercial cinema, documentaries, experimental films, and hybrid digital media to offer a textured look at representations of the Chinese diasporic experience after Tian'anmen.
Pound, Brecht, Tel Quel
The American poet Ezra Pound, the German playwright Bertolt Brecht, and the writers associated with the Parisian avant-garde literary journal Tel Quel, in particular, developed passions for China. Hayot examines these writers' infatuation with China, demonstrating that Pound, Brecht, and the writers of Tel Quel looked east and found a new vision for both themselves and the West. While Chinese Dreams focuses on specific writers' relationships with China, it also calls into question the means of representing otherness. Chinese Dreams asks if it might be possible to attend to the political meaning of imagining the other, while still enjoying the pleasures and possibilities of such dreaming. Eric Hayot is Assistant Professor of English, the University of Arizona.