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  • Pine Tree with Fish Head
  • Mary Jo Firth Gillett (bio)

Nailed to the trunk, jaws forced open, some sort of pike or maybe a lake trout, all the flesh rotted off or else eaten by the raspy

mouths of the infinitesimal, drawn to death those many years ago, and so the fish skull, mouth agape, sun-bleached to a porcelain white.

But the bared teeth of that mouth—I could not stop looking, not because it was gruesome, though it was that. Someone in the family—

my husband’s—had done the deed. Maybe his great-uncle Alfred, who worked for the railroad, scouring the undersides of engines and boxcars,

always eager to detail his finds—a foot here, a hand there, sometimes more. But this primitive totem, was it akin to eating your enemy’s heart or parading his head

on a stake? Was it warning or bravado or trophy? A new bride, I couldn’t say why the moon-white skull, eye sockets staring, disturbed me so.

Today, a photo taken off the coast of Mexico’s Baja, the diver nearly engulfed by a Bryde’s whale feeding on mackerel—

the shot of the gaping maw, jaw flesh pleated like a schoolgirl’s skirt, the stringy baleen of eat, eat—took me back to that time up north [End Page 586]

in a Michigan of pine scent, brilliant stars, chill air. I remember staring hard at that fish head, wondering who are his people, to do such a thing? The mouth—

mouthing desire, mouthing fear—gave up no answer. And oh, we had married fast. In a breathless rush, the hunger had swallowed us. [End Page 587]

Mary Jo Firth Gillett

mary jo firth gillett’s collection Soluble Fish won the Crab Orchard Series in Poetry First Book Award. She has also published four prize-winning chapbooks, most recently Dance Like a Flame, winner of the 2013 Hill-Stead Museum Sunken Garden Poetry Prize. She’s received a Kresge Artist fellowship.

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