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Of Hybrids and the Posthuman: Performer Training in the 21st Century
- TDR: The Drama Review
- The MIT Press
- Volume 59, Number 3, Fall 2015 (T227)
- pp. 108-122
- Article
- Additional Information
Abstract
A post-psychophysical theoretical and practical framework for performer training is evolving in response to sociological theories of material and immaterial labor, the formulation of “dynamic hybridity” from the field of human geography, and contemporary posthuman thought.
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