1. Under-Writing Beirut-Mathaf
  2. Lamia Joreige
  3. pp. 2-3
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  1. In Memory: Judith Malina 1926–2015
  2. Richard Schechner, Cindy Rosenthal
  3. pp. 7-16
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  1. Turning toward Trisha Brown: Valiance and Fragility in Beth Gill’s New Work for the Desert
  2. Danielle Goldman
  3. pp. 17-28
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  1. Speaking to Strangers: Sharon Hayes and the Publics of Politics
  2. Vered Maimon
  3. pp. 29-48
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  1. A Theatre of History: 12 Principles
  2. Barbara Kirshenblatt-Gimblett
  3. pp. 49-59
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  1. Of the Eye and of the Hand: Performance in Early Modern Anatomy
  2. Rafael Mandressi, Elizabeth Claire
  3. pp. 60-76
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  1. Cherry Theft under Apartheid: Playback Theatre in the South Hebron Hills of Occupied Palestine
  2. Ben Rivers
  3. pp. 77-90
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  1. “Only Her Mouth Could Move”: Sensory Deprivation and the Billie Whitelaw Plays
  2. Corey Wakeling
  3. pp. 91-107
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  1. Of Hybrids and the Posthuman: Performer Training in the 21st Century
  2. Frank Camilleri
  3. pp. 108-122
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  1. Towards a Dramaturgy of Robots and Object-Figures
  2. Peter Eckersall
  3. pp. 123-131
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  1. Actors, Spectators, and “Vibrant” Objects: Kris Verdonck’s ACTOR #1
  2. Helena Grehan
  3. pp. 132-139
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  1. Robotics as New Media Dramaturgy: The Case of the Sleepy Robot
  2. Edward Scheer
  3. pp. 140-149
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  1. The Choreography of Anticipation in Maria Hassabi’s PREMIERE
  2. Victoria Gray
  3. pp. 150-157
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  1. Celebrating Odin Teatret and Holstebro: A 50th Anniversary Celebration
  2. Ian Watson
  3. pp. 157-161
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  1. From There to Here: Canadian Stage’s Production of London Road
  2. Martin Julien
  3. pp. 161-168
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  1. Terror and Performance by Rustom Bharucha (review)
  2. Branislav Jakovljević
  3. pp. 169-172
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  1. Incapacity: Wittgenstein, Anxiety, and Performance Behavior by Spencer Golub (review)
  2. Matthew Goulish
  3. pp. 172-174
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  1. The Black Body in Ecstasy: Reading Race, Reading Pornography by Jennifer C. Nash (review)
  2. Tina Post
  3. pp. 174-176
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  1. Simming: Participatory Performance and the Making of Meaning by Scott Magelssen (review)
  2. Lindsay Adamson Livingston
  3. pp. 176-178
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  1. Listening in Detail: Performances of Cuban Music by Alexandra T. Vazquez (review)
  2. Shanti Pillai
  3. pp. 178-180
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  1. More Books
  2. Sarah Krasnow
  3. pp. 184-186
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