restricted access   Volume 59, Number 3, Fall 2015 (T227)

Table of Contents


Under-Writing Beirut-Mathaf

pp. 2-3

In Memory

In Memory: Judith Malina 1926–2015

pp. 7-16


Turning toward Trisha Brown: Valiance and Fragility in Beth Gill’s New Work for the Desert

pp. 17-28

Speaking to Strangers: Sharon Hayes and the Publics of Politics

pp. 29-48

A Theatre of History: 12 Principles

pp. 49-59

Of the Eye and of the Hand: Performance in Early Modern Anatomy

pp. 60-76

Cherry Theft under Apartheid: Playback Theatre in the South Hebron Hills of Occupied Palestine

pp. 77-90

“Only Her Mouth Could Move”: Sensory Deprivation and the Billie Whitelaw Plays

pp. 91-107

Of Hybrids and the Posthuman: Performer Training in the 21st Century

pp. 108-122

New Media Dramaturgy

Towards a Dramaturgy of Robots and Object-Figures

pp. 123-131

Actors, Spectators, and “Vibrant” Objects: Kris Verdonck’s ACTOR #1

pp. 132-139

Robotics as New Media Dramaturgy: The Case of the Sleepy Robot

pp. 140-149

Critical Acts

The Choreography of Anticipation in Maria Hassabi’s PREMIERE

pp. 150-157

Celebrating Odin Teatret and Holstebro: A 50th Anniversary Celebration

pp. 157-161

From There to Here: Canadian Stage’s Production of London Road

pp. 161-168


Terror and Performance by Rustom Bharucha (review)

pp. 169-172

Incapacity: Wittgenstein, Anxiety, and Performance Behavior by Spencer Golub (review)

pp. 172-174

The Black Body in Ecstasy: Reading Race, Reading Pornography by Jennifer C. Nash (review)

pp. 174-176

Simming: Participatory Performance and the Making of Meaning by Scott Magelssen (review)

pp. 176-178

Listening in Detail: Performances of Cuban Music by Alexandra T. Vazquez (review)

pp. 178-180

Rhapsody for the Theatre by Alain Badiou, and: Ahmed the Philosopher: 34 Short Plays for Children & Everyone Else by Alain Badiou, and: The Incident at Antioch: A Tragedy in Three Acts/L’incident d’Antioche: Tragédie en trois actes by Alain Badiou (review)

pp. 181-184

More Books

pp. 184-186