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  • Bibliography for Questionnaire Responses
Andrews, Regina M. Anderson. “Climbing Jacob’s Ladder.” 1931. In Strange Fruit: Plays on Lynching by American Women, edited by Kathy A. Perkins and Judith L. Stephens, 124–32. Bloomington: Indiana University Press, 1998.
Baker, Houston. Modernism and the Harlem Renaissance. Chicago: University of Chicago Press, 1987.
Baldwin, Kate. Beyond the Color Line and the Iron Curtain: Reading Encounters Between Black and Red, 1922–1963. Durham, NC: Duke University Press, 2002.
Barnhart, Bruce. “Chronopolitics and Race, Rag-Time and Symphonic Time in The Autobiography of an Ex-Colored Man.” African American Review 40, no. 3 (2006): 551–69.
Bone, Robert, and Richard A. Courage. The Muse in Bronzeville: African American Creative Expression in Chicago, 1932–1950. New Brunswick, NJ: Rutgers University Press, 2011.
Bonner, Marita. “The Purple Flower.” Crisis 35, no. 1 (1928): 9–11, 28–30.
Boyd, Valerie. Wrapped in Rainbows: The Life of Zora Neale Hurston. New York: Scribner, 2003.
Brooker, Peter, and Andrew Thacker. The Oxford Critical and Cultural History of Modernist Magazines. Volume 2: 1894–1960. New York: Oxford University Press, 2012.
Carby, Hazel. Reconstructing Womanhood: The Emergence of the Afro-American Woman Novelist. New York: Oxford University Press, 1989.
Carroll, Anne Elizabeth. Word, Image, and the New Negro: Representation and Identity in the Harlem Renaissance. Bloomington: Indiana University Press, 2005.
Chasar, Mike. “The Sounds of Black Laughter and the Harlem Renaissance: Claude McKay, Sterling Brown, Langston Hughes.” American Literature 80, no. 1 (2008): 57–81.
Davis, Thadious. Nella Larsen, Novelist of the Harlem Renaissance: A Woman’s Life Unveiled. Baton Rouge: Louisiana State University Press, 1994.
Douglas, Ann. Terrible Honesty: Mongrel Manhattan in the 1920s. New York: Farrar, Straus and Giroux, 1995.
duCille, Ann. The Coupling Convention: Sex, Text, and Tradition in Black Women’s Fiction. New York: Oxford University Press, 1993. [End Page 464]
Dunbar, Paul Laurence. The Sport of the Gods. New York: Dodd, Mead and Company, 1902.
Edwards, Brent Hayes. The Practice of Diaspora: Literature, Translation and the Rise of Black Internationalism. Cambridge, MA: Harvard University Press, 2003.
Fabre, Genevieve, and Michael Feith, eds. Temples for Tomorrow: Looking Back at the Harlem Renaissance. Bloomington: Indiana University Press, 2001.
Fabre, Michel. From Harlem to Paris: Black American Writers in France, 1840–1980. Urbana: University of Illinois Press, 1991.
Foley, Barbara. Spectres of 1919: Class and Nation in the Making of the New Negro. Urbana: University of Illinois Press, 2003.
Frank, Waldo David. Holiday. Edited by Kathleen Pfeiffer. Urbana: University of Illinois Press, 2003.
Gates, Henry Louis, Jr., ed. “The Black Person in Art: How Should S/he Be Portrayed.” Black American Literature Forum 21, nos. 1–2 (1987): 3.
Gilroy, Paul. The Black Atlantic: Modernity and Double Consciousness. Cambridge, MA: Harvard University Press, 1993.
Goeser, Caroline. “The Case of Ebony and Topaz: Racial and Sexual Hybridity in Harlem Renaissance Illustrations.” American Periodicals 15, no. 1 (2005): 86–111.
———. Picturing the New Negro: Harlem Renaissance Print Culture and Modern Black Identity. Lawrence: University Press of Kansas, 2007.
Griffin, Farah Jasmine. “On Time, In Time, Through Time: Aaron Douglas, Fire!! and the Writers of the Harlem Renaissance.” In “Aaron Douglas and the Harlem Renaissance.” Ed. William Harris. Special issue, American Studies 49, nos. 1–2 (2008): 45–53.
Hart, Robert C. “Black-White Literary Relations in the Harlem Renaissance.” American Literature 44, no. 4 (1973): 612–28.
Hemenway, Robert E. Zora Neale Hurston: A Literary Biography. Urbana: University of Illinois Press, 1977.
Holcomb, Gary Edward. Claude McKay, Code Name Sasha: Queer Black Marxism and the Harlem Renaissance. Gainesville: University Press of Florida, 2007.
Honey, Maureen, ed. Shadowed Dreams: Women’s Poetry of the Harlem Renaissance. New Brunswick, NJ: Rutgers University Press, 1989.
Huggins, Nathan Irvin. Harlem Renaissance. 1971. Reprint, New York: Oxford University Press, 1977.
Hughes, Langston. The Big Sea: An Autobiography. New York: Knopf, 1940.
———. El immenso mar: Una autobiografia. Translated by Luisa Rivaud. Buenos Aires: Lautaro, 1944.
———. Not Without Laughter. New York: Knopf, 1930.
Hurston, Zora Neale. Their Eyes Were Watching God. Philadelphia: Lippincott, 1937.
Hutchinson, George. The Harlem Renaissance in Black and White. Cambridge, MA: Belknap Press of Harvard University Press, 1995.
———. In Search of Nella Larsen: A Biography of the Color Line. Cambridge, MA: Belknap Press of...

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