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  Volume 20, Number 3, September 2013

Table of Contents

Introduction: In Conversation: The Harlem Renaissance and the New Modernist Studies

pp. 427-431
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Questionnaire Responses

pp. 433-435
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Questionnaire Responses

pp. 435-436
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Questionnaire Responses

pp. 436-439
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Questionnaire Responses

pp. 439-441
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Questionnaire Responses

pp. 441-443
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Questionnaire Responses

pp. 443-446
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Questionnaire Responses

pp. 446-449
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Questionnaire Responses

pp. 449-452
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Questionnaire Responses

pp. 452-454
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Questionnaire Responses

pp. 454-457
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Questionnaire Responses

pp. 457-459
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Questionnaire Responses

pp. 459-461
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Questionnaire Responses

pp. 462-464
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Bibliography for Questionnaire Responses

pp. 464-467
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Provincializing Harlem: The “Negro Metropolis” as Northern Frontier of a Connected Caribbean

pp. 469-484
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The Disinterested and Fine: New Negro Renaissance Poetry and the Racial Formation of Modernist Studies

pp. 485-501
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Race Literature, Modernism, and Normal Literature: James Weldon Johnson’s Groundwork for an African American Literary Renaissance, 1912–20

pp. 503-518
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“The best people”: The Making of the Black Bourgeoisie in Writings of the Negro Renaissance

pp. 519-537
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“New Negro” v. “Niggeratti”: Defining and Defiling the Black Messiah

pp. 539-555
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Amiable with Big Teeth: The Case of Claude McKay’s Last Novel

pp. 557-576
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Review Essays

Italo Calvino: The Last Modernist

pp. 577-584
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When Bodies Met Galleries: How Performance Art Changed the Art World’s View of Painting

pp. 585-588
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Book Reviews

Dying for Time: Proust, Woolf, Nabokov by Martin Hägglund (review)

pp. 589-591
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Victory through Harmony: The BBC and Popular Music in World War II by Christina Baade (review)

pp. 592-594
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Terrorist’s Creed by Roger Griffin (review)

pp. 594-597
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The Oxford Handbook of Modern Irish Poetry ed. by Fran Brearton and Alan Gillis (review)

pp. 597-599
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Beckett/Philosophy ed. by Matthew Feldman and Karim Mamdani (review)

pp. 599-601
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Holding on Upside Down: The Life and Work of Marianne Moore by Linda Leavell (review)

pp. 602-603
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The New Woman International: Representations in Photography and Film from the 1870s through the 1960s ed. by Elizabeth Otto and Vanessa Rocco (review)

pp. 604-606
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Envisioning Disease, Gender, and War: Women’s Narratives of the 1918 Influenza Pandemic by Jane Elizabeth Fisher (review)

pp. 606-608
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The Years ed. by Virginia Woolf, Anna Snaith (review)

pp. 608-610
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Constitutional Modernism: Architecture and Civil Society in Cuba, 1933–1959 by Timothy Hyde (review)

pp. 610-612
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Capital Fictions: The Literature of Latin America’s Export Age by Ericka Beckman (review)

pp. 612-613
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Ford Madox Ford and the Misfit Moderns: Edwardian Fiction and the First World War by Rob Hawkes (review)

pp. 614-615
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Ezra Pound’s Adams Cantos by David Ten Eyck (review)

pp. 615-617
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From Kafka to Sebald: Modernism and Narrative Form ed. by Sabine Wilke (review)

pp. 617-618
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DVD Review

City of Women (La città delle donne) dir. by Federico Fellini (review)

pp. 619-621
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Recent Books of Interest

pp. 623-625
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Research Areas

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