We cannot verify your location
Browse Book and Journal Content on Project MUSE

  Volume 20, Number 3, September 2013

Table of Contents

Introduction: In Conversation: The Harlem Renaissance and the New Modernist Studies

pp. 427-431 | DOI: 10.1353/mod.2013.0071

Questionnaire Responses

pp. 433-435 | DOI: 10.1353/mod.2013.0077

Questionnaire Responses

pp. 435-436 | DOI: 10.1353/mod.2013.0083

Questionnaire Responses

pp. 436-439 | DOI: 10.1353/mod.2013.0089

Questionnaire Responses

pp. 439-441 | DOI: 10.1353/mod.2013.0056

Questionnaire Responses

pp. 441-443 | DOI: 10.1353/mod.2013.0062

Questionnaire Responses

pp. 443-446 | DOI: 10.1353/mod.2013.0068

Questionnaire Responses

pp. 446-449 | DOI: 10.1353/mod.2013.0075

Questionnaire Responses

pp. 449-452 | DOI: 10.1353/mod.2013.0081

Questionnaire Responses

pp. 452-454 | DOI: 10.1353/mod.2013.0087

Questionnaire Responses

pp. 454-457 | DOI: 10.1353/mod.2013.0093

Questionnaire Responses

pp. 457-459 | DOI: 10.1353/mod.2013.0060

Questionnaire Responses

pp. 459-461 | DOI: 10.1353/mod.2013.0066

Questionnaire Responses

pp. 462-464 | DOI: 10.1353/mod.2013.0073

Bibliography for Questionnaire Responses

pp. 464-467 | DOI: 10.1353/mod.2013.0079

Provincializing Harlem: The “Negro Metropolis” as Northern Frontier of a Connected Caribbean

pp. 469-484 | DOI: 10.1353/mod.2013.0085

The Disinterested and Fine: New Negro Renaissance Poetry and the Racial Formation of Modernist Studies

pp. 485-501 | DOI: 10.1353/mod.2013.0091

Race Literature, Modernism, and Normal Literature: James Weldon Johnson’s Groundwork for an African American Literary Renaissance, 1912–20

pp. 503-518 | DOI: 10.1353/mod.2013.0058

“The best people”: The Making of the Black Bourgeoisie in Writings of the Negro Renaissance

pp. 519-537 | DOI: 10.1353/mod.2013.0064

“New Negro” v. “Niggeratti”: Defining and Defiling the Black Messiah

pp. 539-555 | DOI: 10.1353/mod.2013.0070

Amiable with Big Teeth: The Case of Claude McKay’s Last Novel

pp. 557-576 | DOI: 10.1353/mod.2013.0076

Review Essays

Italo Calvino: The Last Modernist

pp. 577-584 | DOI: 10.1353/mod.2013.0082

When Bodies Met Galleries: How Performance Art Changed the Art World’s View of Painting

pp. 585-588 | DOI: 10.1353/mod.2013.0088

Book Reviews

Dying for Time: Proust, Woolf, Nabokov by Martin Hägglund (review)

pp. 589-591 | DOI: 10.1353/mod.2013.0055

Victory through Harmony: The BBC and Popular Music in World War II by Christina Baade (review)

pp. 592-594 | DOI: 10.1353/mod.2013.0061

Terrorist’s Creed by Roger Griffin (review)

pp. 594-597 | DOI: 10.1353/mod.2013.0067

The Oxford Handbook of Modern Irish Poetry ed. by Fran Brearton and Alan Gillis (review)

pp. 597-599 | DOI: 10.1353/mod.2013.0074

Beckett/Philosophy ed. by Matthew Feldman and Karim Mamdani (review)

pp. 599-601 | DOI: 10.1353/mod.2013.0080

Holding on Upside Down: The Life and Work of Marianne Moore by Linda Leavell (review)

pp. 602-603 | DOI: 10.1353/mod.2013.0086

The New Woman International: Representations in Photography and Film from the 1870s through the 1960s ed. by Elizabeth Otto and Vanessa Rocco (review)

pp. 604-606 | DOI: 10.1353/mod.2013.0092

Envisioning Disease, Gender, and War: Women’s Narratives of the 1918 Influenza Pandemic by Jane Elizabeth Fisher (review)

pp. 606-608 | DOI: 10.1353/mod.2013.0059

The Years ed. by Virginia Woolf, Anna Snaith (review)

pp. 608-610 | DOI: 10.1353/mod.2013.0065

Constitutional Modernism: Architecture and Civil Society in Cuba, 1933–1959 by Timothy Hyde (review)

pp. 610-612 | DOI: 10.1353/mod.2013.0072

Capital Fictions: The Literature of Latin America’s Export Age by Ericka Beckman (review)

pp. 612-613 | DOI: 10.1353/mod.2013.0078

Ford Madox Ford and the Misfit Moderns: Edwardian Fiction and the First World War by Rob Hawkes (review)

pp. 614-615 | DOI: 10.1353/mod.2013.0084

Ezra Pound’s Adams Cantos by David Ten Eyck (review)

pp. 615-617 | DOI: 10.1353/mod.2013.0090

From Kafka to Sebald: Modernism and Narrative Form ed. by Sabine Wilke (review)

pp. 617-618 | DOI: 10.1353/mod.2013.0057

DVD Review

City of Women (La città delle donne) dir. by Federico Fellini (review)

pp. 619-621 | DOI: 10.1353/mod.2013.0063

Recent Books of Interest

pp. 623-625 | DOI: 10.1353/mod.2013.0069

Research Areas


  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access