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Dying to Love: Gay Identity, Suicide, and Aesthetics in A Single Man

From: Cinema Journal
Volume 52, Number 4, Summer 2013
pp. 99-120 | 10.1353/cj.2013.0044



Through an analysis of A Single Man’s adaptation, reception, and aesthetic affect, this article argues that a workable theory of on-screen subjectivity ought to be rooted not in desire but in care, and in love as a special form of caring.