Contributors

Contributors CARINA BARTLEET read Biological Sciences at the University of Oxford before going on to complete a Doctorate in Drama at the University of Exeter, on the intertextual dimension of Sarah Daniels's plays. She has been a Lecturer in Drama at the University of Glamorgan. Currently, she teaches at the University of Reading. MICHAEL MARK CH EMERS received a PhD in Theatre History and Theory from the University of Washington in 2001 and is currently a postdoctoral fellow of the Center for Arts in Society, an interdisciplinary arts and humanities center, at Carnegie Mellon University. TRACY C. DAVIS is Barber Professor the Performing Arts at Northwestern University . Her books include Actresses as Working Women: Their Social Identity in Victorian Culture, George Bernard Shaw and the Socialist Theatre, and The Economics of the British Stage, 18o{}-I914. She is also co-editor of the collections Playwriting and Nineteenth-Century British Women (1999), and Theatricality (2003). D.I. HOPKINS is a Mellon Post' Doctoral Fellow in Performing Arts and English at Washington University in SI. Louis. His publications have appeared in TheatreForum, Theatre Topics, Theatre Survey, and in collections, including Shakespeare after Mass Media. Hopkins holds both a PhD and an MFA from the University of California, San Diego. His current book project theorizes the relationship between performance and representation in the urban spaces of early modem London. SUSAN MCCREADY is a graduate of the University of Pennsylvania (PhD 1998) and a specialist in French Romantic theatre; her published articles include Modern Drama, 46:2 (Summer 2003) 337 CONTRIBUTORS work on Alfred de Musset, George Sand and the Revolutionary theatre. She has served as Assistant Professor of French at the University of South Alabama since 1998. JISHA MENON is a doctoral candidate in the Department of Drama at Stanford University. She received the Whiting Fellowship from the Stanford Humanities Center to complete her dissertation, "Performing Nationalism, Rehearsing Partition," which discusses the performance and performativity of nationalism , as articulated through public and private memories of the 1947 lndiaPakistan partition. MARIA PAPANIKOLAOU is Assistant Professor in the Department of English I Honors College at Johnson C. Smith University. Her presentations and scholarShip have been on the topics of feminism, actresses' autobiography, and female performance in World War I. ...