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Browse Book and Journal Content on Project MUSE

  Volume 46, Number 2, Summer 2003

Table of Contents

Stages of Emergency: The Casualties Union

pp. 151-181 | DOI: 10.1353/mdr.2003.0068

Unhomely Nations: Minorities and Refugees of the Subcontinental Partition

pp. 182-206 | DOI: 10.1353/mdr.2003.0064

How to Act Like a Woman: Professional Advice from English Actresses

pp. 207-226 | DOI: 10.1353/mdr.2003.0070

The Compromise of Commemoration: The 1927 Centennial of Romanticism at the Comédie-Française

pp. 227-240 | DOI: 10.1353/mdr.2003.0058

Sarah Daniels' Hysteria Plays: Re-presentations of Madness in Ripen Our Darkness and Head-Rot Holiday

pp. 241-260 | DOI: 10.1353/mdr.2003.0049

Mapping the Placeless Place: Pedestrian Performance in the Urban Spaces of Los Angeles

pp. 261-284 | DOI: 10.1353/mdr.2003.0051

Le Freak, C'est Chic: The Twenty-First Century Freak Show as Theatre of Transgression

pp. 285-304 | DOI: 10.1353/mdr.2003.0056


Performance Studies: An Introduction by Richard Schechner (review)

pp. 305-308 | DOI: 10.1353/mdr.2003.0037

Performance Analysis: An Introductory Coursebook ed. by Colin Counsell and Laurie Wolf (review)

pp. 308-312 | DOI: 10.1353/mdr.2003.0042

The Routledge Reader in Politics and Performance ed. by Lizbeth Goodman and Jane de Gay (review)

pp. 312-316 | DOI: 10.1353/mdr.2003.0047

Theater of the Avant-Garde, 1890-1950: A Critical Anthology ed. by Bert Cardullo and Robert Knopf, and: The Twentieth-Century Performance Reader ed. by Michael Huxley and Noel Witts (review)

pp. 316-321 | DOI: 10.1353/mdr.2003.0053

Stage Fright: Modernism, Anti-Theatricality, and Drama by Martin Puchner (review)

pp. 321-323 | DOI: 10.1353/mdr.2003.0059

The Haunted Stage: The Theatre as Memory Machine by Marvin Carlson, and: Infinity (Stage) by Spencer Golub (review)

pp. 324-328 | DOI: 10.1353/mdr.2003.0065

Performing History: Theatrical Representations of the Past in Contemporary Theatre by Freddie Rokem (review)

pp. 329-331 | DOI: 10.1353/mdr.2003.0039

Performer Training: Developments across Cultures ed. by Ian Watson, and: Approaches to Acting: Past and Present by Daniel Meyer-Dinkgräfe (review)

pp. 331-336 | DOI: 10.1353/mdr.2003.0044


pp. 337-338 | DOI: 10.1353/mdr.2003.0062

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