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  Volume 46, Number 2, Summer 2003

Table of Contents

Stages of Emergency: The Casualties Union

pp. 151-181
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Unhomely Nations: Minorities and Refugees of the Subcontinental Partition

pp. 182-206
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How to Act Like a Woman: Professional Advice from English Actresses

pp. 207-226
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The Compromise of Commemoration: The 1927 Centennial of Romanticism at the Comédie-Française

pp. 227-240
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Sarah Daniels' Hysteria Plays: Re-presentations of Madness in Ripen Our Darkness and Head-Rot Holiday

pp. 241-260
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Mapping the Placeless Place: Pedestrian Performance in the Urban Spaces of Los Angeles

pp. 261-284
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Le Freak, C'est Chic: The Twenty-First Century Freak Show as Theatre of Transgression

pp. 285-304
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Reviews

Performance Studies: An Introduction by Richard Schechner (review)

pp. 305-308
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Performance Analysis: An Introductory Coursebook ed. by Colin Counsell and Laurie Wolf (review)

pp. 308-312
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The Routledge Reader in Politics and Performance ed. by Lizbeth Goodman and Jane de Gay (review)

pp. 312-316
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Theater of the Avant-Garde, 1890-1950: A Critical Anthology ed. by Bert Cardullo and Robert Knopf, and: The Twentieth-Century Performance Reader ed. by Michael Huxley and Noel Witts (review)

pp. 316-321
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Stage Fright: Modernism, Anti-Theatricality, and Drama by Martin Puchner (review)

pp. 321-323
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The Haunted Stage: The Theatre as Memory Machine by Marvin Carlson, and: Infinity (Stage) by Spencer Golub (review)

pp. 324-328
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Performing History: Theatrical Representations of the Past in Contemporary Theatre by Freddie Rokem (review)

pp. 329-331
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Performer Training: Developments across Cultures ed. by Ian Watson, and: Approaches to Acting: Past and Present by Daniel Meyer-Dinkgräfe (review)

pp. 331-336
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Contributors

pp. 337-338
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Research Areas

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