Contributors

Contributors RICHARD L. BARR is Assistant Professor of English at Rutgers University. New Brunswick. He has published on modem theatre and on performance art. The curfent essay is part of a larger project on dramatic modernism entitled Spectatorial Stages: Perspectival Communities in the Modern Theatre. ART BORRECA is Assistant Professor of History, Literature and Dramatugy at the University of Iowa and Dramaturg with the Iowa Playwrights Workshop. He has published essays on modem drama in Theater and Before His Eyes: Essays in Honor of Stanley Kauffmann, and is currently at work on a book, The Past's Presence: British Historical Drama Since [956. STEVEN BRUHM is a SSHRCC Doctoral Fellow at McGill University in Montreal. He is currently working on his dissertation, entitled "Gothic Bodies: The Politics of Pain in Romantic Fiction." DONALD P. COSTELLO has returned to the Department of English after twelve years as Chair of the Department of American Studies at the University of Notre Dame. In addition to his books The Serpent's Eye: Shaw andthe Cinema (1966) and Fellini'sRoad (1983), he has published on Graham Greene, J. D. Salinger, Henry James, LcRoi Jones, Stanley Kubrick, and on Tennessee Williams in Modern Drama. GARY M. GRANT is Assistant Professor of Theatre at Bucknell University, Lewisburg, PA. EDWARD ISSER teaches dramatic literature at Clark University in Worcester, MA. He has published articles in San Jose Studies, Shaw: The Annual o/BernardShaw Studies, and Studies in the Humanities. He has worked as an actor and stage manager on Broadway, Off Broadway, and in regional theater. Contributors THOMAS L. KING has been a professoroftheatre at James Madison University since 1974. He teaches theatre history. dramatic literature, theory, and acting. He also directs, acts, and designs for the James Madison University Theatre. He has played the role of Don at James Madison University and at the Roadhouse Theatre in Erie, PA. JAMES REYNOLDS is a professor ofEnglish literature at Eastern Michigan University. He has written studies of Renaissance drama, especially of Marlowe, including Repemance and Retribution in Early English Drama (Salzburg. 1982). SAMUEL A. WEISS is a professor of English at the University of Ulinois at Chicago. He is editor of Bernard Shaw's Leiters to Siegfried Trebitsclz (1986), a major posthumous addition to the Shaw canon. He has published articles on Shaw, Shakespeare, and John Osborne and edited several anthologies of plays. ...