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In this Issue

Table of Contents

  1. Metaphor and Community in The Lady from the Sea: Remitting Impediments through the Marriage of Skewed Minds
  2. Richard L. Barr
  3. pp. 467-482
  4. DOI: https://doi.org/10.1353/mdr.1991.0023
  5. restricted access
  1. Galsworthy's Realism: A Revaluation
  2. Art Borreca
  3. pp. 483-493
  4. DOI: https://doi.org/10.1353/mdr.1991.0034
  5. restricted access
  1. O'Neill, Nietzsche, and Cows
  2. Samuel A. Weiss
  3. pp. 494-498
  4. DOI: https://doi.org/10.1353/mdr.1991.0021
  5. restricted access
  1. Forgiveness in O'Neill
  2. Donald P. Costello
  3. pp. 499-512
  4. DOI: https://doi.org/10.1353/mdr.1991.0066
  5. restricted access
  1. The Antecedents of American Holocaust Drama and the Transformation of Werfel's Jacobowsky and the Colonel
  2. Edward Isser
  3. pp. 513-521
  4. DOI: https://doi.org/10.1353/mdr.1991.0051
  5. restricted access
  1. The Failure of Technology in The Glass Menagerie
  2. James Reynolds
  3. pp. 522-527
  4. DOI: https://doi.org/10.1353/mdr.1991.0037
  5. restricted access
  1. Blackmailed by Sex: Tennessee Williams and the Economics of Desire
  2. Steven Bruhm
  3. pp. 528-537
  4. DOI: https://doi.org/10.1353/mdr.1991.0044
  5. restricted access
  1. Talk and Dramatic Action in American Buffalo
  2. Thomas L. King
  3. pp. 538-548
  4. DOI: https://doi.org/10.1353/mdr.1991.0062
  5. restricted access
  1. Writing as a Process of Performing the Self: Sam Shepard's Notebooks
  2. Gary Grant
  3. pp. 549-565
  4. DOI: https://doi.org/10.1353/mdr.1991.0030
  5. restricted access
  1. Theater As Problem: Modern Drama and its Place in Literature by Benjamin Bennett (review)
  2. Sharon Marie Carnicke
  3. pp. 566-567
  4. DOI: https://doi.org/10.1353/mdr.1991.0055
  5. restricted access
  1. Performing Feminisms: Feminist Critical Theory and Theatre ed. by Sue-Ellen Case (review)
  2. Jeannette Laillou Savona
  3. pp. 568-569
  4. DOI: https://doi.org/10.1353/mdr.1991.0047
  5. restricted access
  1. Performance Theory by Richard Schechner (review)
  2. Michael J. Sidnell
  3. pp. 569-570
  4. DOI: https://doi.org/10.1353/mdr.1991.0068
  5. restricted access
  1. Major Strategies in Twentieth Century Drama: Apocalyptic Vision, Allegory and Open Form by Estelle Manette Raben (review)
  2. Rosette C. Lamont
  3. pp. 571-573
  4. DOI: https://doi.org/10.1353/mdr.1991.0015
  5. restricted access
  1. Adolphe Appia, Theatre Artist by Richard C. Beacham, and: Adolphe Appia: Essays, Scenarios, and Designs ed. by Richard C. Beacham (review)
  2. J. L. Styan
  3. pp. 573-575
  4. DOI: https://doi.org/10.1353/mdr.1991.0010
  5. restricted access
  1. Modernism to Realism on the Soviet Stage by Nick Worrall (review)
  2. Catherine Schuler
  3. pp. 575-577
  4. DOI: https://doi.org/10.1353/mdr.1991.0057
  5. restricted access
  1. Re-interpreting Brecht: His Influence on Contemporary Drama and Film ed. by Pia Kleber and Colin Visser (review)
  2. John Fuegi
  3. pp. 577-580
  4. DOI: https://doi.org/10.1353/mdr.1991.0019
  5. restricted access
  1. Postmodern Brecht: A Re-Presentation by Elizabeth Wright (review)
  2. Eileen Fischer
  3. pp. 580-581
  4. DOI: https://doi.org/10.1353/mdr.1991.0008
  5. restricted access
  1. Beckett in performance by Jonathan Kalb (review)
  2. Toby Silverman Zinman
  3. pp. 581-583
  4. DOI: https://doi.org/10.1353/mdr.1991.0032
  5. restricted access
  1. New Tragedy and Comedy in France, 1945-70 by Peter Norrish (review)
  2. John H. Reilly
  3. pp. 584-585
  4. DOI: https://doi.org/10.1353/mdr.1991.0026
  5. restricted access
  1. Vinaver dramaturge by Anne Ubersfeld (review)
  2. Rosette C. Lamont
  3. pp. 585-587
  4. DOI: https://doi.org/10.1353/mdr.1991.0004
  5. restricted access
  1. Contributors
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/mdr.1991.0012
  5. restricted access
  1. Contents of Volume XXXIV
  3. pp. 591-596
  4. DOI: https://doi.org/10.1353/mdr.1991.0041
  5. restricted access