We cannot verify your location
Browse Book and Journal Content on Project MUSE

  Volume 34, Number 4, Winter 1991

Table of Contents


Metaphor and Community in The Lady from the Sea: Remitting Impediments through the Marriage of Skewed Minds

pp. 467-482

Galsworthy's Realism: A Revaluation

pp. 483-493

O'Neill, Nietzsche, and Cows

pp. 494-498

Forgiveness in O'Neill

pp. 499-512

The Antecedents of American Holocaust Drama and the Transformation of Werfel's Jacobowsky and the Colonel

pp. 513-521

The Failure of Technology in The Glass Menagerie

pp. 522-527

Blackmailed by Sex: Tennessee Williams and the Economics of Desire

pp. 528-537

Talk and Dramatic Action in American Buffalo

pp. 538-548

Writing as a Process of Performing the Self: Sam Shepard's Notebooks

pp. 549-565

Book Reviews

Theater As Problem: Modern Drama and its Place in Literature by Benjamin Bennett (review)

pp. 566-567

Performing Feminisms: Feminist Critical Theory and Theatre ed. by Sue-Ellen Case (review)

pp. 568-569

Performance Theory by Richard Schechner (review)

pp. 569-570

Major Strategies in Twentieth Century Drama: Apocalyptic Vision, Allegory and Open Form by Estelle Manette Raben (review)

pp. 571-573

Adolphe Appia, Theatre Artist by Richard C. Beacham, and: Adolphe Appia: Essays, Scenarios, and Designs ed. by Richard C. Beacham (review)

pp. 573-575

Modernism to Realism on the Soviet Stage by Nick Worrall (review)

pp. 575-577

Re-interpreting Brecht: His Influence on Contemporary Drama and Film ed. by Pia Kleber and Colin Visser (review)

pp. 577-580

Postmodern Brecht: A Re-Presentation by Elizabeth Wright (review)

pp. 580-581

Beckett in performance by Jonathan Kalb (review)

pp. 581-583

New Tragedy and Comedy in France, 1945-70 by Peter Norrish (review)

pp. 584-585

Vinaver dramaturge by Anne Ubersfeld (review)

pp. 585-587

Contents of Volume XXXIV

pp. 591-596


pp. 1-2

Research Areas


  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access