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  Volume 34, Number 4, Winter 1991

Table of Contents

Articles

Metaphor and Community in The Lady from the Sea: Remitting Impediments through the Marriage of Skewed Minds

pp. 467-482
|

Galsworthy's Realism: A Revaluation

pp. 483-493
|

O'Neill, Nietzsche, and Cows

pp. 494-498
|

Forgiveness in O'Neill

pp. 499-512
|

The Antecedents of American Holocaust Drama and the Transformation of Werfel's Jacobowsky and the Colonel

pp. 513-521
|

The Failure of Technology in The Glass Menagerie

pp. 522-527
|

Blackmailed by Sex: Tennessee Williams and the Economics of Desire

pp. 528-537
|

Talk and Dramatic Action in American Buffalo

pp. 538-548
|

Writing as a Process of Performing the Self: Sam Shepard's Notebooks

pp. 549-565
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Book Reviews

Theater As Problem: Modern Drama and its Place in Literature by Benjamin Bennett (review)

pp. 566-567
|

Performing Feminisms: Feminist Critical Theory and Theatre ed. by Sue-Ellen Case (review)

pp. 568-569
|

Performance Theory by Richard Schechner (review)

pp. 569-570
|

Major Strategies in Twentieth Century Drama: Apocalyptic Vision, Allegory and Open Form by Estelle Manette Raben (review)

pp. 571-573
|

Adolphe Appia, Theatre Artist by Richard C. Beacham, and: Adolphe Appia: Essays, Scenarios, and Designs ed. by Richard C. Beacham (review)

pp. 573-575
|

Modernism to Realism on the Soviet Stage by Nick Worrall (review)

pp. 575-577
|

Re-interpreting Brecht: His Influence on Contemporary Drama and Film ed. by Pia Kleber and Colin Visser (review)

pp. 577-580
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Postmodern Brecht: A Re-Presentation by Elizabeth Wright (review)

pp. 580-581
|

Beckett in performance by Jonathan Kalb (review)

pp. 581-583
|

New Tragedy and Comedy in France, 1945-70 by Peter Norrish (review)

pp. 584-585
|

Vinaver dramaturge by Anne Ubersfeld (review)

pp. 585-587
|

Contents of Volume XXXIV

pp. 591-596
|

Contributors

pp. 1-2
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Research Areas

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