Volume 34, Number 4, Winter 1991

Table of Contents

Articles

Metaphor and Community in The Lady from the Sea: Remitting Impediments through the Marriage of Skewed Minds

pp. 467-482
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Galsworthy's Realism: A Revaluation

pp. 483-493
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O'Neill, Nietzsche, and Cows

pp. 494-498
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Forgiveness in O'Neill

pp. 499-512
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The Antecedents of American Holocaust Drama and the Transformation of Werfel's Jacobowsky and the Colonel

pp. 513-521
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The Failure of Technology in The Glass Menagerie

pp. 522-527
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Blackmailed by Sex: Tennessee Williams and the Economics of Desire

pp. 528-537
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Talk and Dramatic Action in American Buffalo

pp. 538-548
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Writing as a Process of Performing the Self: Sam Shepard's Notebooks

pp. 549-565
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Book Reviews

Theater As Problem: Modern Drama and its Place in Literature by Benjamin Bennett (review)

pp. 566-567
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Performing Feminisms: Feminist Critical Theory and Theatre ed. by Sue-Ellen Case (review)

pp. 568-569
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Performance Theory by Richard Schechner (review)

pp. 569-570
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Major Strategies in Twentieth Century Drama: Apocalyptic Vision, Allegory and Open Form by Estelle Manette Raben (review)

pp. 571-573
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Adolphe Appia, Theatre Artist by Richard C. Beacham, and: Adolphe Appia: Essays, Scenarios, and Designs ed. by Richard C. Beacham (review)

pp. 573-575
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Modernism to Realism on the Soviet Stage by Nick Worrall (review)

pp. 575-577
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Re-interpreting Brecht: His Influence on Contemporary Drama and Film ed. by Pia Kleber and Colin Visser (review)

pp. 577-580
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Postmodern Brecht: A Re-Presentation by Elizabeth Wright (review)

pp. 580-581
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Beckett in performance by Jonathan Kalb (review)

pp. 581-583
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New Tragedy and Comedy in France, 1945-70 by Peter Norrish (review)

pp. 584-585
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Vinaver dramaturge by Anne Ubersfeld (review)

pp. 585-587
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Contents of Volume XXXIV

pp. 591-596
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Contributors

pp. 1-2
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