Leonardo Reviews On-Line

August 2012

Alien Phenomenology: Or, What It’s Like To Be a Thing by Ian Bogost. Reviewed by Brian Reffin Smith.

Beyond the Dream Syndicate: Tony Conrad and the Arts after Cage by Branden W. Joseph. Reviewed by Stephen Petersen.

Computing: A Concise History by Paul E. Ceruzzi. Reviewed by John F. Barber.

Debates in the Digital Humanities, edited by Matthew K. Gold. Reviewed by Dene Grigar.

Freedom in Entangled Worlds: West Papua and the Architecture of Global Power by Eben Kirksey. Reviewed by C.F. Black.

The Future Was Here: The Commodore Amiga by Jimmy Maher. Reviewed by John F. Barber.

High Society: Mind-Altering Drugs in History and Culture by Mike Jay. Reviewed by Jan Baetens.

I Must Not Think Bad Thoughts: Drive-By Essays on American Dread, American Dreams by Mark Dery. Foreword by Bruce Sterling. Reviewed by Mike Mosher.

The Koran: Back to the Origins of the Book by Bruno Ulmer. Reviewed by Jonathan Zilberg.

Open Access by Peter Suber. Reviewed by Rob Harle.

State of Mind: New California Art circa 1970 by Constance M. Lewallen and Karen Moss. Reviewed by Mike Mosher.

Under Blue Cup by Rosalind E. Krauss. Reviewed by Jan Baetens.

July 2012

Coral: Rekindling Venus by Lynette Wallworth. Reviewed by Elizabeth Straughan.

The Exile of Britney Spears: A Tale of 21st Century Consumption by Christopher R. Smit. Reviewed by Anthony Enns.

New Directions in Digital Poetry by C.T. Funkhouser. Reviewed by Jan Baetens.

June 2012

Brunelleschi’s Egg: Nature, Art, and Gender in Renaissance Italy by Mary D. Garrard. Reviewed by Amy Ione.

On Time in Film/DVD; Performance/Myself (or Video Identity); and Air’s Rock by Takahiko iimura. Reviewed by Mike Leggett.

Rethinking a Lot: The Design and Culture of Parking by Eran Ben-Joseph. Reviewed by Jan Baetens.

Seducing Time: Selected Prize Winning Videotapes by Lynn Hershman Leeson 1984–2008. Reviewed by Mike Mosher.