1. What Is the Challenge of Art/Science Today and How Do We Address It?
  2. Jack Ox, Richard Lowenberg
  3. p. 2
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  1. Hybrid Reassemblage: An Exploration of Craft, Digital Fabrication and Artifact Uniqueness
  2. Amit Zoran, Leah Buechley
  3. pp. 4-10
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  1. Unraveling Life’s Building Blocks: Sculpture Inspired by Proteins
  2. Julian Voss-Andreae
  3. pp. 12-17
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  1. The Veiled Christ of Cappella Sansevero: On Art, Vision and Reality
  2. Thomas D. Albright
  3. pp. 19-23
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  1. Protein Kolam: An Artistic Rendition of Molecular Structure Data
  2. S. Balaji, S. Neela
  3. pp. 24-29
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  1. Mobiles, Molecules and the Coalescence of Processes
  2. Stephen H. Kawai
  3. pp. 30-35
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  1. Color Plates
  2. pp. 37-43
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  1. Nature’s Toolbox: Biodiversity, Art and Invention
  2. Randy Jayne Rosenberg
  3. pp. 44-46
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  1. Nature’s Toolbox Gallery
  2. E.V. Day, Chris Drury, Anthony Discenza, Rob Carter, Sven Pahlsson, Cao Fei, Suzanne Anker, Christian Kerrigan, Charles Lee
  3. pp. 47-52
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  1. Some Video Abstraction Techniques for Displaying Body Movement in Analysis and Performance
  2. Alexander Refsum Jensenius
  3. pp. 53-60
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  1. Dynamic Sites: Learning to Design in Techno-Social Landscapes
  2. Dermott McMeel, Chris Speed
  3. pp. 61-66
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  1. Early Visions of Interactivity: The In(put)s and Out(put)s of Real-Time Computing
  2. Andrew Utterson
  3. pp. 67-72
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  1. Ten Trenches: A Science-Art Collaboration
  2. T.J. Cohen, S.J.K Kermode, Mike Leggett
  3. pp. 74-75
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  1. Finding Futures: A Spatio-Visual Experiment In Participatory Engagement
  2. Sarah R Davies, Cynthia Selin, Gretchen Gano, Ângela Guimarães Pereira
  3. pp. 76-77
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  1. Collaboration and Coordination in the Creation of New Music
  2. Michael Hooper
  3. pp. 78-79
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  1. Readymade and Assemblage in Database Art
  2. Wun-Ting Hsu, Wen-Shu Lai
  3. pp. 80-81
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  1. From Gesture to Form: The Evolution of Expressive Freehand Spatial Interfaces
  2. Daniel F. Keefe
  3. pp. 82-83
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  1. The Serendiptichord: Reflections on the Collaborative Design Process between Artist and Researcher
  2. Tim Murray-Browne, Di Mainstone, Nick Bryan-Kinns, Mark D. Plumbley
  3. pp. 86-87
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  1. The Medium-Sensitive Experience and the Paradigmatic Experience of the Grotesque, “Unnatural” or “Monstrous”
  2. A.M.A. van den Oever
  3. pp. 88-89
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  1. Invisible Navigation (or Impossible?)
  2. Oguzhan Özcan, Mary Lou O’Neil
  3. pp. 90-91
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  1. The Idea Factory: Bell Labs and the Great Age of American Innovation (review)
  2. Amy Ione
  3. pp. 93-94
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  1. The Right to Look: A Counterhistory of Visuality (review)
  2. Jan Baetens
  3. p. 95
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  1. Trade of the Tricks: Inside the Magician’s Craft (review)
  2. Brian Reffin Smith
  3. pp. 95-96
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  1. The Berkshire Glass works (review)
  2. Giovanna L. Costantini
  3. pp. 96-97
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  1. Radio: Essays in Bad Reception (review)
  2. John F. Barber
  3. pp. 97-98
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  1. Looking for Bruce Conner (review)
  2. Allan Graubard
  3. pp. 98-99
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  1. Diane Arbus’s 1960s: Auguries of Experience (review)
  2. Jan Baetens
  3. pp. 99-100
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  1. Remodeling Communication: From WWII to the WWW (review)
  2. Jussi Parikka
  3. pp. 100-101
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  1. Pairing of Polarities: The Life and Art of Sonya Rapoport (review)
  2. Amy Ione
  3. pp. 101-102
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  1. Are You Experienced? How Psychedelic Consciousness Transformed Modern Art (review)
  2. Nicolas Langlitz
  3. pp. 102-103
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  1. 3D Displays and Spatial Interaction, Vol. 1: From Perception to Technology (review)
  2. George Shortess
  3. pp. 103-104
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  1. The Self-Made Map: Cartographic Writing in Early Modern France, and: The Face of the Earth: Natural Landscapes, Science and Culture (review)
  2. Mike Leggett
  3. pp. 104-105
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  1. Leonardo Reviews On-Line
  2. pp. 105-106
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  1. Leonardo Network News
  2. p. 107
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