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Media Heterotopia and Transnational Filmmaking: Mapping Real and Virtual Worlds
- Cinema Journal
- University of Texas Press
- Volume 51, Number 4, Summer 2012
- pp. 87-109
- 10.1353/cj.2012.0071
- Article
- Additional Information
Focusing on The Fall (Tarsem Singh, 2006), The World (Zhangke Jia, 2004), and Avalon (Mamoru Oshii, 2001), this essay proposes a mode of heterotopic perception and analysis that recognizes the composited layers and material residues of globally dispersed production sites and laboring bodies in mediated transnational spaces.