Contributors
- Contributors
Jonathan Beller is professor of humanities and media studies at Pratt Institute. He is the author of Acquiring Eyes (2006) and The Cinematic Mode of Production (2006).
Francisco Benitez is assistant professor of comparative literature at the University of Washington at Seattle where he researches nineteenth-and twentieth-century insular Southeast Asian literature and film.
Reuben Ramas Cañete is currently associate professor at the department of art studies, University of the Philippines (UP), Diliman, Quezon City, Philippines. His book on the masculine visual culture of UP’s symbol, the Oblation, will be published by UP Press.
Ryan Canlas is an independent scholar.
Richard T. Chu is a Five College associate professor of history at University of Massachusetts, Amherst. He is the author of Chinese and Chinese Mestizos of Manila: Family, Identity, and Culture 1860s–1930s (2010).
Patrick D. Flores is professor of art history at the University of the Philippines and curator of the Vargas Museum. His article, “Un cine en transición: incursiones iniciales,” appeared in the anthology Cinema Filipinas: Historia, teoria, y critica filmica (1899–2009) (2010). [End Page 615]
Gladys Nubla is a PhD candidate in English at the University of California, Berkeley. She has published articles on Filipino American literature in the journals MELUS and LIT: Literature, Interpretation, Theory.
Benjamin McKay (1964–2010), a beloved Australian film scholar specializing in Southeast Asian cinemas, was a lecturer in Monash University in Malaysia. His works have been published in Kakiseni.com, Criticine, and Off the Edge.
Jema M. Pamintuan is an assistant professor at the Ateneo de Manila University and holds a doctoral degree in Philippine studies from the University of the Philippines, Diliman. Her article on digital gaming has been published in Plaridel: A Philippine Journal of Communication, Media and Society (2009).
Elizabeth H. Pisares lives in Bloomington, Indiana. She has published in the anthology Positively No Filipinos Allowed: Building Communities and Discourse (2006).
Sarah Raymundo is an assistant professor at the Center of International Studies, University of the Philippines-Diliman. She is the secretary-general of the Congress of Teachers/Educators for Nationalism and Democracy (CONTEND).
Barry Sautman, Hong Kong University of Science and Technology, authored All That Glitters Is Not Gold: Tibet as a Pseudo-State (2009).
Nobue Suzuki is professor of anthropology at Chiba University, Japan. Among her numerous publications, the most recent one is “Love Triangles: Filipinos, Japanese, and the Shifting Locations of American Power” in Kiichi Fujiwara and Yoshiko Nagano, eds., The Philippines and Japan in America’s Shadow (2011).
Rolando B. Tolentino is dean of the University of the Philippines College of Mass Communication and is author of Gitnang uring fantasya at materyal na realidad: Politikal na kritisismo ng kulturang popular (Middle-Class Fantasy and Material Reality: Political Criticism of Popular Culture, 2010).
Yan Hairong, Hong Kong Polytechnic University, authored New Masters, New Servants: Migration, Development, and Women Workers in China (2008).
Alvin B. Yapan is an assistant professor at the Ateneo de Manila University, Loyola Schools. He recently published Sambahin ang katawan: A Novel (Worship This Body: A Novel, 2011). [End Page 616]
