Volume 19, Number 2, Fall 2011

Table of Contents

Special Issue: vaginal economy: cinema and sexuality in the post-marcos, post-brocka phillippines

Guest Editor’s Introduction

pp. 229-256

Transnational Questing Desire in Star Cinema’s Kailangan kita and Milan

pp. 257-280

The Martial Art of “Cinema”: Modes of Virtuosity à la Hong Kong and the Philippines

pp. 281-305

The Time of Poverty and the Image of Refusal

pp. 307-334

Peripheral Visionaries: Corruptive Mysticism and the Problem of Miracle

pp. 335-345

The Macho Machine: Male Sexual Commodification in Philippine Realist Film

pp. 347-364

Strong(er) Women and Effete Men: Negotiating Chineseness in Philippine Cinema at a Time of Transnationalism

pp. 365-391

Managing the “Moro Problem”: Fractured Nation/Narration in Bagong Buwan

pp. 393-420

The Social-Invisibility Narrative in Filipino-American Feature Films

pp. 421-437

“Japayuki,” or, Spectacles for the Transnational Middle Class

pp. 439-462

The Politics of Mirrored Metaphors: Flor Contemplacion and The Maid

pp. 463-498

Feudal Desires: Sexualizing Agriculture in the Philippine Film Industry

pp. 499-524

Risk Management, Probability, and the Theory of Games in Segurista (Dead Sure) and Kubrador (The Bet Collector)

pp. 525-549

In the Womb of the Global Economy: Anak and the Construction of Transnational Imaginaries

pp. 551-579

The “Right Dissident”: Liu Xiaobo and the 2010 Nobel Peace Prize

pp. 581-613

Contributors

Contributors

pp. 615-616