1. Transnational Questing Desire in Star Cinema’s Kailangan kita and Milan
  2. Francisco Benitez
  3. pp. 257-280
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  1. The Martial Art of “Cinema”: Modes of Virtuosity à la Hong Kong and the Philippines
  2. Jonathan Beller
  3. pp. 281-305
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  1. The Time of Poverty and the Image of Refusal
  2. Ryan Canlas
  3. pp. 307-334
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  1. Peripheral Visionaries: Corruptive Mysticism and the Problem of Miracle
  2. Patrick D. Flores
  3. pp. 335-345
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  1. The Macho Machine: Male Sexual Commodification in Philippine Realist Film
  2. Reuben Ramas Cañete
  3. pp. 347-364
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  1. Strong(er) Women and Effete Men: Negotiating Chineseness in Philippine Cinema at a Time of Transnationalism
  2. Richard T. Chu
  3. pp. 365-391
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  1. Managing the “Moro Problem”: Fractured Nation/Narration in Bagong Buwan
  2. Gladys Nubla
  3. pp. 393-420
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  1. The Social-Invisibility Narrative in Filipino-American Feature Films
  2. Elizabeth H. Pisares
  3. pp. 421-437
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  1. “Japayuki,” or, Spectacles for the Transnational Middle Class
  2. Nobue Suzuki
  3. pp. 439-462
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  1. The Politics of Mirrored Metaphors: Flor Contemplacion and The Maid
  2. Benjamin McKay
  3. pp. 463-498
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  1. Feudal Desires: Sexualizing Agriculture in the Philippine Film Industry
  2. Alvin Yapan
  3. pp. 499-524
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  1. Risk Management, Probability, and the Theory of Games in Segurista (Dead Sure) and Kubrador (The Bet Collector)
  2. Jema Pamintuan
  3. pp. 525-549
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  1. In the Womb of the Global Economy: Anak and the Construction of Transnational Imaginaries
  2. Sarah Raymundo
  3. pp. 551-579
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  1. The “Right Dissident”: Liu Xiaobo and the 2010 Nobel Peace Prize
  2. Barry Sautman, Yan Hairong
  3. pp. 581-613
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  1. Guest Editor’s Introduction
  2. Rolando B. Tolentino
  3. pp. 229-256
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  1. Contributors
  3. pp. 615-616
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