“This Lock You See”: Nineteenth-Century Hair Work as the Commodified Self
H Sheumaker - Fashion Theory, 1997 - Taylor & Francis
Fashion Theory, 1997•Taylor & Francis
“This Lock You See”: Nineteenth-Century Hair Work as the Commodified Self Page 1 421 “This
Lock You See”: Nineteenth-Century Hair Work as the Commodified Self Fashion Theory,
Volume 1, Issue 4, pp.421–446 Reprints available directly from the Publishers. Photocopying
permitted by licence only. © 1997 Berg. Printed in the United Kingdom. “This Lock You See”:
NineteenthCentury Hair Work as the Commodified Self The heart clings with much affection;
When, by the eye, our fond recollection Brings forth old adages and truth, To ties of friendship …
Lock You See”: Nineteenth-Century Hair Work as the Commodified Self Fashion Theory,
Volume 1, Issue 4, pp.421–446 Reprints available directly from the Publishers. Photocopying
permitted by licence only. © 1997 Berg. Printed in the United Kingdom. “This Lock You See”:
NineteenthCentury Hair Work as the Commodified Self The heart clings with much affection;
When, by the eye, our fond recollection Brings forth old adages and truth, To ties of friendship …
In 1854 Samuel Moore penned this verse in his friend Emma Miller’s autograph album, and above it Miller carefully affixed a ribbon-tied curl of Moore’s hair. 1 Moore’s poem weaves together the many strands of meanings that hair held for middle-class nineteenth-century
Taylor & Francis Online