[BOOK][B] Modelos de organización/Estéticas del fragmento: Las vanguardias hispanoamericanas en los años del fordismo
E Irigoyen - 2005 - search.proquest.com
One of the topics most particular to the early twentieth century is that of modes of production.
Fordism, a variant of the so-called “scientific management”, introduced serial mass
production by improving some previous techniques, in particular the assembly line. At the
same time, writers, artists, and critics were discussing methods of producing aesthetic
objects, and how the process of making them shape both the ways the public relates to the
work, and the very notion of art. While fordism was based on the assembly of sub-processes …
Fordism, a variant of the so-called “scientific management”, introduced serial mass
production by improving some previous techniques, in particular the assembly line. At the
same time, writers, artists, and critics were discussing methods of producing aesthetic
objects, and how the process of making them shape both the ways the public relates to the
work, and the very notion of art. While fordism was based on the assembly of sub-processes …
Modelos de organizacion/esteticas del fragmento: Las vanguardias hispanoamericanas en los anos del Fordismo (Spanish text)
E Irigoyen - 2005 - elibrary.ru
One of the topics most particular to the early twentieth century is that of modes of production.
Fordism, a variant of the so-called" scientific management", introduced serial mass
production by improving some previous techniques, in particular the assembly line. At the
same time, writers, artists, and critics were discussing methods of producing aesthetic
objects, and how the process of making them shape both the ways the public relates to the
work, and the very notion of art. While fordism was based on the assembly of sub-processes …
Fordism, a variant of the so-called" scientific management", introduced serial mass
production by improving some previous techniques, in particular the assembly line. At the
same time, writers, artists, and critics were discussing methods of producing aesthetic
objects, and how the process of making them shape both the ways the public relates to the
work, and the very notion of art. While fordism was based on the assembly of sub-processes …