One of the persistent problems in acting, and one that seems to grow steadily in importance, comes from the public identity of the actor. This study suggests that a semiotic approach to the acting sign can help to distinguish the function of celebrity in acting, the threats to authority that celebrity imposes, and the results of celebrity acting both on stage and in the efforts of the actor to achieve an identity. This essay is related to earlier discussions of the stage figure by its author, Michael Quinn, in Modem Drama and Gestus. applying the Prague School model of analysis that also supported his article on reading and directing in NTQ11 (1987). Michael Quinn, an assistant professor at the University of Washington, is currently working on a critical study of Vaclav Havel, as well as a longer study of the stage figure in different theatrical contexts.