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Although the'party line'is not obtrusive, it is well to be aware that this is a translation of the
1984 Moscow edition and thus the writing is decidedly pre-glastnost. With this one
reservation Street Art of the Revolution is a splendid evocation of the tremendous excitement
and creative energy of the 15 years following the 1917 Revolution. The great beauty of many
of the sites of revolutionary events encouraged artists to use them as' architectural
backcloths' to their creations, displayed for all to see and from

information is available in English. In general, the essays are intelligent but, unfortunately,
rather brief and the essentially narrative approach fails to convey adequately the distinct
quality of each artist's creative explorations. The selection of documents that accompanies
each text frequently includes material available elsewhere, notably in John Bowlt's
invaluable compilation Russian Art of the Avant-Garde: Theory and Criticism I902-I930
(Thames and Hudson, I988). The occasional inclusion of unpublished material is tantalizing …

Appropriately enough, Leistikov's designs for The Suicide close Rudnit-sky's final chapter on
the avant-garde. There follows a somewhat brief conclusion under the cryptic title'Some
Outcomes'. In it he examines the emergence of a new psychological realism, best
represented by the dramas of Afinoge-nov, Kirshon and Pogodin.'Directors and playwrights
together'he writes' were obstinately searching for un-trodden paths, striving to give freshness
and purity to the theatrical picture of the country's militant youth'. This is surely the voice of …