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A Guru’s Journey: Pandit Chitresh Das and Indian Classical Dance in Diaspora by Sarah Morelli (review)
Re-Purposing Suzuki: A Hybrid Approach to Actor Training by Maria Porter (review)
Kabuki, A Mirror of Japan: Ten Plays That Offer a Glimpse Into Evolving Sensibilities by Matsui Kesako and David Crandall (review)
The Legend of Prince Golden Calf in China and Korea by Wilt L. Idema and Allard M. Olof (review)
K-Pop Dance: Fandoming Yourself on Social Media by Chuyun Oh (review)
Shakespeare & East Asia by Alexa Alice Joubin (review)
Performance Cultures as Epistemic Cultures, Volume I: (Re)Generating Knowledges in Performance and: Performance Cultures as Epistemic Cultures, Volume II: Interweaving Epistemologies by Erika Fischer-Lichte et al (review)
A Babel of Nature: The English-Language Sources of Zheng Junli’s “Tan biaoyan” (On Acting, 1936)
The Performers’ Brush: A Case Study of Scene Twelve “Composing the Score” (“Zhipu”) in a Mid-Qing Stage Script of Changsheng dian (Palace of Everlasting Life)
Understanding Reality Through Science Fiction and Digitalization: The Hybrid Theatrical Space in Sun Xiaoxing’s Rhinoceros (2020)
Inventing the Tradition: Hybrid Gudianwu Training and Ambiguous Chineseness
Ethos of Yajña Ritual: Mapping Girish Karnad’s The Fire and the Rain
Decolonizing and Producing Working-class Theatre in Pakistan: The Poetics and Politics of Sangat Theatre’s Chog Kusumbhey Di (Picking Safflower)
The Past in the Present: The Religious and Royal Dimension of Newar Traditional Dance Theatre, Nepal
Celebration and Remembrance in Kalibo’s Ati-Atihan: Mythmaking, Devotion, and Cultural Memory
Speaking of the Spiritual: An Exploration of Knowledge and Pedagogy in Performing Arts in Malang, East Java
From the Editor

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