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- Monumenta Nipponica
- Sophia University
- issue
- Volume 75, Number 1, 2020
- Anti-Nuclear Protest in Post-Fukushima Tokyo: Power Struggles by Alexander Brown (review)
- Dynasties and Democracy: The Inherited Incumbency Advantage in Japan by Daniel M. Smith (review)
- Miyazakiworld: A Life in Art by Susan Napier (review)
- Japan at the Crossroads: Conflict and Compromise after Anpo by Nick Kapur (review)
- Japan Rearmed: The Politics of Military Power by Sheila A. Smith (review)
- Sanitized Sex: Regulating Prostitution, Venereal Disease, and Intimacy in Occupied Japan, 1945–1952 by Robert Kramm (review)
- Tokyo Boogie-Woogie: Japan's Pop Era and Its Discontents by Hiromu Nagahara (review)
- Thought Crime: Ideology and State Power in Interwar Japan by Max M. Ward (review)
- Japan's Imperial Underworlds: Intimate Encounters at the Borders of Empire by David R. Ambaras, and: Lost Histories: Recovering the Lives of Japan's Colonial Peoples by Kirsten L. Ziomek (review)
- Special Duty: A History of the Japanese Intelligence Community by Richard J. Samuels (review)
- Contesting the Myths of Samurai Baseball: Cultural Representations of Japan's National Pastime by Christopher T. Keaveney (review)
- Japan's Castles: Citadels of Modernity in War and Peace by Oleg Benesch and Ran Zwigenberg (review)
- Playing War: Children and the Paradoxes of Modern Militarism in Japan by Sabine Frühstück (review)
- The Making of Japanese Settler Colonialism: Malthusianism and Trans-Pacific Migration, 1868–1961 by Sidney Xu Lu (review)
- Transforming Empire in Japan and East Asia: The Taiwan Expedition and the Birth of Japanese Imperialism by Robert Eskildsen (review)
- Cultivating Femininity: Women and Tea Culture in Edo and Meiji Japan by Rebecca Corbett (review)
- A Bowl for a Coin: A Commodity History of Japanese Tea by William Wayne Farris (review)
- China and Japan: Facing History by Ezra F. Vogel (review)
- How to Read a Japanese Poem by Steven D. Carter (review)
- The Massacre of Koreans in Yokohama in the Aftermath of the Great Kanto Earthquake of 1923
- The Author as Protagonist: Professionalizing the Craft of the Kusazōshi Writer
- A Format of Their Own: The Hundred-Poem Sequences of Sone no Yoshitada, Minamoto no Shitagō, and the Priest Egyō
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