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- Digital Price: $29.00 USD (All sales final)
- Framework: The Journal of Cinema and Media
- Wayne State University Press
- issue
- Volume 53, Number 1, Spring 2012
- Introduction: Cinema and the Realities of Work
- Introduction
- What Happened to the Polish Multitude?: Representation of Working People in Polish Postcommunist Cinema
- “Heroes of the Working Class”?: Work in Czechoslovak Films of the New-Wave and Postcommunist Years
- Cinema, the Post-Fordist Worker, and Immaterial Labor: From Post-Hollywood to the European Art Film
- French Film and Work: The Work Done by Work-Centered Films
- Picturing The Postmaster: Tagore, Ray, and the Making of an Uncanny Modernity
- The State of Labor and Labor for the State: Syrian and Egyptian Cinema beyond the 2011 Uprisings
- The Body’s Failed Labor: Performance Work in Sexploitation Cinema
- Wastrels of Time: Slow Cinema’s Laboring Body, the Political Spectator, and the Queer
- Belabored: Style as Work
- Retelling Polish History through the “Soft Avant-Garde” Films of the 1960s
- Rending the Veils of Illusion: W. Somerset Maugham’s The Letter and Its Two Definitive Film Interpretations
- Editorial
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