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- Victorian Poetry
- Johns Hopkins University Press
- issue
- Volume 47, Number 4, Winter 2009
- Contributors
- Introduction
- Swinburne’s “A Nympholept” in the Making
- Some Reflections on the Text of Swinburne’s Unfinished Novel, the so-called “Lesbia Brandon”
- Libidinous Laureates and Lyrical Maenads: Michael Field, Swinburne and Erotic Hellenism
- “Will he rise and recover[?]”: Catullus, Castration, and Censorship in Swinburne’s “Dolores”
- Swinburne and Thackeray’s The Newcomes
- “Much Regrafted Pain”: Schopenhauerian Love and the Fecundity of Pain in Atalanta in Calydon
- Cosmopolitan Republican Swinburne, the Immersive Poet as Public Moralist
- Intimations and Imitations of Immortality: Swinburne’s “By the North Sea” and “Poeta Loquitur”
- A Theory of Poetry: Swinburne’s “A Dark Month”
- Erotic Figuration in Swinburne’s Tristram of Lyonesse, Canto 2: The Vanishing Knight and the Drift of Butterflies
- Brothers in Paradox: Swinburne, Baudelaire, and the Paradox of Sin
- Wagner, Baudelaire, Swinburne: Poetry in the Condition of Music
- Victorian Poetry Volume 47, 2009 Index
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