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This issue contains 17 articles in total

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  1. A Guru’s Journey: Pandit Chitresh Das and Indian Classical Dance in Diaspora by Sarah Morelli (review)
  2. Re-Purposing Suzuki: A Hybrid Approach to Actor Training by Maria Porter (review)
  3. Kabuki, A Mirror of Japan: Ten Plays That Offer a Glimpse Into Evolving Sensibilities by Matsui Kesako and David Crandall (review)
  4. The Legend of Prince Golden Calf in China and Korea by Wilt L. Idema and Allard M. Olof (review)
  5. K-Pop Dance: Fandoming Yourself on Social Media by Chuyun Oh (review)
  6. Shakespeare & East Asia by Alexa Alice Joubin (review)
  7. Performance Cultures as Epistemic Cultures, Volume I: (Re)Generating Knowledges in Performance and: Performance Cultures as Epistemic Cultures, Volume II: Interweaving Epistemologies by Erika Fischer-Lichte et al (review)
  8. A Babel of Nature: The English-Language Sources of Zheng Junli’s “Tan biaoyan” (On Acting, 1936)
  9. The Performers’ Brush: A Case Study of Scene Twelve “Composing the Score” (“Zhipu”) in a Mid-Qing Stage Script of Changsheng dian (Palace of Everlasting Life)
  10. Understanding Reality Through Science Fiction and Digitalization: The Hybrid Theatrical Space in Sun Xiaoxing’s Rhinoceros (2020)
  11. Inventing the Tradition: Hybrid Gudianwu Training and Ambiguous Chineseness
  12. Ethos of Yajña Ritual: Mapping Girish Karnad’s The Fire and the Rain
  13. Decolonizing and Producing Working-class Theatre in Pakistan: The Poetics and Politics of Sangat Theatre’s Chog Kusumbhey Di (Picking Safflower)
  14. The Past in the Present: The Religious and Royal Dimension of Newar Traditional Dance Theatre, Nepal
  15. Celebration and Remembrance in Kalibo’s Ati-Atihan: Mythmaking, Devotion, and Cultural Memory
  16. Speaking of the Spiritual: An Exploration of Knowledge and Pedagogy in Performing Arts in Malang, East Java
  17. From the Editor
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