Checkout
- Digital Price: $14.00 USD (All sales final)
- Review of Japanese Culture and Society
- University of Hawai'i Press
- Article
- The Story of The Inflated Man Volume 31, 2019, pp. 234-239
Would you like to upgrade your purchase to the complete digital issue?
To further meet your research needs, the complete digital issue from this journal is also available for purchase for $26.00 USD.
This issue contains 21 articles in total
[ + ] Show Issue Contents
- On the Contributors
- Postwar Japanese Photography: A Selected Bibliography
- The Story of The Inflated Man
- A Memorandum on the Photograph: Movement and Time in Blurs and Stills
- Photography as Embalming: Yokota Daisuke’s Post-Production Process
- Arai Takashi and Nagashima Yurie through the Historical Frame of “Japanese Photography”
- The Story of Two Women: Ishiuchi Miyako and Iwasaki Chihiro (Excerpts from a Conversation between Ishiuchi Miyako and Ueno Chizuko—On Mother’s and Hiroshima)
- Linking Disaster to Natural History, A Visit to Sasaoka Keiko’s Exhibition: Tanesashi, Ninoshima (Hachinohe City Museum of Art)
- The Position of Ninoshima
- Sudo Ayano’s Portrait Photography: Artificially Modified Beauties and the Uncanny
- Kitano Ken
- Cardboard Houses and Miyamoto Ryūji’s Visualization of Alternative Urban Realities in Heisei Japan
- The Predicament and the Reflexive Turn: Japanese Street Photography since 1990
- Watanabe Toshiya
- Ghost in the Shell: An After-Thought on Pierre Huygue’s Human Mask
- Twice Infinity: Sugimoto Hiroshi’s Architecture Series
- Yoneda Tomoko
- Acknowledgments
- Introduction: Between the Viewfinder and the Lens—A Journey into the Performativity of Self-Presentation, Gender, Race, and Class in Heisei Photography (1989–2019)
- Preface: A Difficult New Dawn
- Images
Purchase Complete Digital Issue
OR continue with digital Article purchase below
In order to purchase digital content, you must be logged into your MyMUSE account.
For questions, please see Purchasing MUSE Content
