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This issue contains 22 articles in total

[ + ] Show Issue Contents
  1. Nobody’s Girl Friday by J. E. Smyth (review)
  2. Los Angeles Documentary and the Production of Public History, 1958–1977 by Joshua Glick (review)
  3. I-Docs: The Evolving Practices of Interactive Documentary ed. by Judith Aston, Sandra Gaudenzi, and Mandy Rose (review)
  4. Avant-Doc: Intersections of Avant-Garde Cinema by Scott MacDonald (review)
  5. Vampires, Race, and Transnational Hollywoods by Dale Hudson (review)
  6. Going Viral: Zombies, Viruses, and the End of the World by Dahlia Schweitzer (review)
  7. Off the Cliff: How the Making of Thelma and Louise Drove Hollywood to the Edge by Becky Aikman (review)
  8. Classical Storytelling and Contemporary Screenwriting: Aristotle and the Modern Scriptwriter by Brian Price (review)
  9. Interpreting Anime by Christopher Bolton (review)
  10. Beyond Method: Stella Adler and the Male Actor by Scott Balcerzak (review)
  11. The Long Take: Art Cinema and the Wondrous by Lutz Koepnick (review)
  12. Pink-Slipped: What Happened to Women in the Silent Film Industries? by Jane M. Gaines (review)
  13. Backwards and in Heels: The Past, Present and Future of Women Working in Film by Alicia Malone (review)
  14. Constructing the Eternal Present: Chaplin’s Tramp as Lived Principle of Constructivist Organization
  15. Festival Mamas Building the Women’s Club: A Case Study
  16. Activist Praxis Meets Project-Based Learning: A Case Study of Student Involvement at the Chicago Feminist Film Festival
  17. FESPACO—Promoting African Film Development and Scholarship
  18. The World Screen: Japan’s Cinematic Reinvention and International Film Festivals
  19. The Beyond Babel Multilingual Film Festival
  20. Film Festivals of the 1970s and the Subject of Feminist Film Studies: Collaborations and Regimes of Knowledge Production
  21. Media Arts Festivals: Scholarship and Artistry in Practice
  22. Introduction to Special Issue
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