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This issue contains 27 articles in total

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  1. Contemporary Plays from Iraq transed. by A. Al-Azraki and James Al-Shamma (review)
  2. Islamic Modernities In Southeast Asia: Exploring Indonesian Popular and Visual Culture by Leonie Schmidt (review)
  3. This Is How We Dance Now! Performance in the Age of Bollywood and Reality Shows by Pallabi Chakravorty (review)
  4. Traversing Tradition: Celebrating Dance in India ed. by Urmimala Sarkar Munsi and Stephanie Burridge (review)
  5. A Rasa Reader by Sheldon Pollock (review)
  6. A Korean Approach to Actor Training by Jeungsook Yoo (review)
  7. Like Clouds or Mists: Studies and Translations of Nō Plays of the Genpei War ed. by Elizabeth Oyler and Michael Watson (review)
  8. Translocal Performance in Asian Theatre and Film by Iris H. Tuan (review)
  9. The Avant-Garde and the Popular in Modern China: Tian Han and the Intersection of Performance and Politics by Liang Luo (review)
  10. Staging China: New Theatres in the Twenty-First Century ed. by Li Ruru (review)
  11. Journey of A Goddess: Chen Jinggu Subdues the Snake Demon transed. by Fan Pen Li Chen (review)
  12. The Spatiality of Emotion in Early Modern China: From Dreamscapes to Theatricality by Ling Hon Lam (review)
  13. Embodied Reckonings: "Comfort Women," Performance, and Transpacific Redress by Elizabeth W. Son (review)
  14. Women in Asian Performance: Aesthetics and Politics ed. by Arya Madhavan (review)
  15. Representing China on the Historical London Stage: From Orientalism to Intercultural Performance by Dongshin Chang (review)
  16. Spaces of Citizenship in Contemporary Singaporean Theatre: Staging the 2011 General Election
  17. Performing Intercultural Trauma: State, Land, and Women in Troy, Troy… Taiwan
  18. Applying/Contesting the Brechtian "Model": Calcutta Repertory Theatre's Galileor Jibon (Life of Galileo)
  19. Tradition and Modernity: Two Modern Adaptations of the Chinese Opera Hezhu's Match
  20. Bhuta Kola Ritual Performances: Locating Aesthetics in Collective Memory and Shared Experience
  21. Politics and Tactics in Revolutionary Performance: A Sino-Burmese Arts Troupe in Transnational Circulation
  22. Pansori Hamlet Project: Taroo's New Pansori Shakespeare for the Local Audience
  23. Engaging Tang Xianzu and Shakespeare in the Quest for Self
  24. Looking for Common Ground: A Thematic Comparison between Tang Xianzu's and Shakespeare's Dramatic Imagination
  25. Intercultural and Cross-cultural Encounters during the Quatercentenary of Tang Xianzu and Shakespeare
  26. Performing Commemoration: The Cultural Politics of Locating Tang Xianzu and Shakespeare
  27. From the Editor
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