Checkout
- Digital Price: $16.00 USD (All sales final)
- Biography
- University of Hawai'i Press
- Article
- Narrating Failure: MC Jin's Return to Rap in the United States Volume 41, Number 3, Summer 2018, pp. 568-586
To further meet your research needs, the complete digital issue from this journal is also available for purchase for $24.00 USD.
This issue contains 23 articles in total
- Contributors
- Nadine Gordimer and the Vices of Biography: A Reply to Hedley Twidle
- Corrigendum
- Back to the Blanket: Recovered Rhetorics and Literacies in American Indian Studies by Kimberly G. Wieser (review)
- Holocaust Memory in the Digital Age Survivors' Stories and New Media Practices by Jeffrey Shandler (review)
- Gendered Testimonies of the Holocaust Writing Life by Petra M. Schweitzer (review)
- How Come Boys Get to Keep Their Noses? Women and Jewish American Identity in Contemporary Graphic Memoirs by Tahneer Oksman (review)
- Picture Bride Stories by Barbara F. Kawakami (review)
- Tainted Witness: Why We Doubt What Women Say About Their by Leigh Gilmore (review)
- Political Life Writing in the Pacific: Reflections on Practice ed. by Jack Corbett and Brij V. Lal (review)
- From Political Biography to Political Event: The Daens Myth in Literature in Cinema
- Writing the Life of Ronald Reagan: An Impossible Mission?
- Recasting the Iron Lady into Flesh and Blood: Gender Performance and Politics in Three Thatcher Biopics
- French Television and Political Biography
- Introduction to Political Biography in Literature and Cinema
- Beats, Rhymes, and Life in the Ocean of Sound: An Object-Oriented Methodology for Encountering Rap Music
- Narrating Failure: MC Jin's Return to Rap in the United States
- (Re)Writing Contemporary Cantonese Heritage Language and Identity: Examining MC Jin's ABC Album
- The Posse Cut as Autobiographical Utterance of Place in the Night Marchers' Three Dots
- Redefined What is Meant to Be Divine: Prayer and Protest in Blue Scholars
- "Bad Gal" and the "Bad" Refugee: Refugee Narratives, Neoliberal Violence, and Musical Autobiography in Honey Cocaine's Cambodian Canadian Hip-Hop
- "Freaky" Asian Americans, Hip-Hop, and Musical Autobiography: An Introduction
- Editor's Note
In order to purchase digital content, you must be logged into your MyMUSE account.
For questions, please see Purchasing MUSE Content