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- Digital Price: $19.00 USD (All sales final)
- Women and Music: A Journal of Gender and Culture
- University of Nebraska Press
- Article
- Sung and Spoken Puns as Queer "Home Making" in Toronto's Chinese Diaspora Volume 22, 2018, pp. 50-62
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This issue contains 19 articles in total
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- Country Boys and Redneck Women: New Essays in Gender and Country Music ed. by Diane Pecknold and Kristine M. McCusker (review)
- Just Vibrations: The Purpose of Sounding Good by William Cheng (review)
- Creating Carmen Miranda: Race, Camp and Transnational Stardom by Kathryn Bishop-Sanchez (review)
- Kasahara and Iwaasa in Conversation
- Lessons from Archives and Public History for the Race-ing of Queer Music Scholarship
- "Tempsiabo"
- Willmer Broadnax, Midcentury Gospel, and Black Trans/Masculinities
- The Blacks, the Jews, and the Gays: Bette Midler's Third-Order Vaudeville
- Anti-Matik: Solo/duo for bajoncillo and (female) body
- The Ambivalent Erotics of Hot Pants: Peter de Rome and the Soundtrack of Liberation
- Let's Flip It! Quare Emancipations: Black Queer Traditions, Afrofuturisms, Janelle Monáe to Labelle
- Freedom Bridge (Extracts)
- The New "Queer" and the Old Racism
- Sung and Spoken Puns as Queer "Home Making" in Toronto's Chinese Diaspora
- Ligeia for Solo Flute (with Glissando Headjoint)
- The J/Jota in Jenni
- "We Lived in the Gaps between the Stories": Alannah Marie Halay
- "You Are My Dwelling Place": Experiencing Black Male Vocalists' Worship as Aural Eroticism and Autoeroticism in Gospel Performance
- Racing Ahead: Race-ing Queer Music Scholarship
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